{"title":"Wooden Accents","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eBrutally beautiful. Unapologetically detailled. Brahm's wooden accents aren't about polish for polish's sake. They're about craft that's earned, not faked. Each piece is carved by hand in workshops where tools meet tradition, without shortcuts. \u003cbr\u003e\u003cbr\u003eFrom striking Buddha heads and elephant tusks, to peacock sculptures and animal-carved vases, this collection pulls from centuries of Indian woodworking, where even the smallest detail holds meaning. Each and every curve, every cut, tells a story that wasn't rushed or watered down. \u003cbr\u003e\u003cbr\u003eThese wooden accents don't just decorate your home, they give it a backbone. They bring weight. Character. Something to break the silence of sameness. \u003cbr\u003e\u003cbr\u003eAdd carved heritage to your space. Make it count.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"wooden-vase-with-animal-carvings","title":"Wooden Vase With Animal Carvings","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan data-sheets-root=\"1\"\u003eYou'll want to look twice, and then again. This wooden vase doesn't shout. It murmurs. A ring of elephants and lions move in a quiet procession, carved like a folktale passed from one pair of hands to another.\u003cbr\u003e\u003cbr\u003eThis piece is the marriage of utility and story. A wood vase that isn't just hollow to hold things, but to be filled with purpose and intent. The animals aren't ornamental, they're symbolic. The elephant, a bearer of wisdom and memory. The lion, a figure of strength and protection. Together, in their procession, they trace a path that has run through Indian folklore and material culture for centuries. \u003cbr\u003e\u003cbr\u003eFashioned from a single block, the wooden vase is solid but never stiff. The natural grain of the wood pulses beneath the carving, giving life to the surface. \u003cbr\u003e\u003cbr\u003eTake it home and let it hold more than just flowers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"Default Title","offer_id":40956412952599,"sku":"WD33","price":198.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/wooden-vase-animal-carving-full-view.png?v=1766870635"},{"product_id":"exquisitely-handcrafted-wooden-wall-hanging","title":"Exquisitely Handcrafted Wooden Wall Hanging","description":"\u003ch5 style=\"font-weight: bold;\"\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe Wooden Carved Wall Hanging from Brahm Collection portrays a dynamic and intricate narrative scene rooted in spiritual iconography. Each figure is delicately carved, representing divine figures, their energies interwoven in a timeless celebration of craftsmanship. The hanging signifies a connection to divinity, inviting the viewer into a space of reflection on the roles of mythology and tradition in everyday life.\u003c\/p\u003e\n\u003cp\u003eFor someone bringing this piece into their home, the symbolism serves as a daily reminder of protection, prosperity, and wisdom. It draws on ancient beliefs where the presence of deities was thought to infuse spaces with spiritual harmony. This piece allows the homeowner to embody those values within their living environment, ensuring both beauty and metaphysical balance.\u003c\/p\u003e\n\u003cp\u003ethe deep relief carving creates a play of light and shadow, emphasizing the three-dimensionality and depth of each figure. The attention to fine details, from facial expressions to the texture of garments, renders the wooden tableau uniquely expressive. This is not merely a wall hanging; it is a sculptural tapestry capturing divine presence and artistry.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"Default Title","offer_id":41642224156695,"sku":null,"price":154.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/exquisitely-handcrafted-wooden-wall-hanging.jpg?v=1766611410"},{"product_id":"brown-wooden-carved-wall-hanging-horizontal","title":"Brown Wooden Carved Wall Hanging (Horizontal)","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThis intricately carved wooden wall panel features a depiction of deities, likely representing auspicious figures from Indian mythology, each carrying sacred symbols. This artwork holds spiritual significance, representing blessings, protection, and prosperity. For someone placing this piece in their home, it serves as both an artistic and symbolic invitation of divine grace, making their space not only visually captivating but also spiritually enhanced.\u003c\/p\u003e\n\u003cp\u003eThe artistic composition reflects meticulous craftsmanship. The artist has utilized rich wood and hand-carving techniques to give depth and life to each figure, bringing a dynamic flow to the imagery. The intricate latticework surrounding the figures serves to enhance the overall design by drawing the eye toward the central divine figures while maintaining balance.\u003c\/p\u003e\n\u003cp\u003eThe polished dark wood finish highlights the natural grain, adding texture and warmth to the depiction. The deep carvings create interplay between light and shadow, giving the figures an almost ethereal presence. This panel’s uniqueness lies in its blend of spiritual representation with fine artistry, making it a revered addition to any art collection or home.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"Default Title","offer_id":41748228177943,"sku":null,"price":159.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/brown-wood-carved-wall-hanging-brahm.jpg?v=1748603411"},{"product_id":"gana-mukha-wall-hanging","title":"Gana Mukha – The Collective Presence","description":"\u003ch5 data-end=\"543\" data-start=\"227\"\u003eProvenance \u003c\/h5\u003e\n\u003cp data-start=\"389\" data-end=\"834\"\u003eThe concept of \u003cem data-start=\"404\" data-end=\"416\"\u003eGana Mukha\u003c\/em\u003e emerges from Sanskrit thought, where \u003cem data-start=\"454\" data-end=\"460\"\u003egana\u003c\/em\u003e refers to groups, multitudes, or collective forces, and \u003cem data-start=\"517\" data-end=\"524\"\u003emukha\u003c\/em\u003e signifies face or presence. In classical Indian philosophy and iconography, the idea of many energies unified into a single form appears across sacred and artistic traditions — suggesting not individuality, but synthesis. The face, in such contexts, is less a portrait and more a vessel for collective spirit.\u003c\/p\u003e\n\u003cp data-start=\"836\" data-end=\"1276\"\u003eThroughout South Indian woodcraft traditions, particularly in Karnataka, carved faces and mask-like forms have adorned temples, domestic thresholds, and architectural elements. These forms were not always literal depictions of deities or beings; often, they served as symbolic presences — markers of awareness, guardians of atmosphere, and visual anchors within a space. Their strength lay not in overt expression but in composed stillness.\u003c\/p\u003e\n\u003cp data-start=\"1278\" data-end=\"1719\"\u003eThis handcrafted wooden wall hanging reinterprets that lineage through restraint. The features are simplified and unified, inviting perception as a whole rather than as separate details. The natural grain of the wood softens contours and introduces subtle variations, ensuring that each piece holds its own quiet individuality. The tactile surface and measured carving reflect a disciplined craft tradition that values balance over ornament.\u003c\/p\u003e\n\u003cp data-start=\"1721\" data-end=\"1929\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eRooted in Karnataka’s artisanal heritage, the \u003cem data-start=\"1767\" data-end=\"1779\"\u003eGana Mukha\u003c\/em\u003e Wall Hanging embodies collective presence distilled into form — a contemplative object that steadies a space through awareness rather than assertion.\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-170\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"474e29d0-3ef2-407c-b90b-2265fd3114b2\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003chr data-end=\"1756\" data-start=\"1753\"\u003e\n\u003cp data-end=\"1775\" data-start=\"1758\"\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThis wall panel is handcrafted from natural wood. Variations in grain, tone, minor surface textures, or carving nuances are inherent to the material and artisanal process.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThese distinctions are not defects but part of the authenticity and individuality of each piece.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eDimensions and weight are approximate due to the handmade nature of the work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Brahm Collection","offers":[{"title":"Default Title","offer_id":44196390633495,"sku":null,"price":220.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/49.2.jpg?v=1771777712"},{"product_id":"ashva-dwaar-wall-hanging","title":"Ashva Dwaar – Guardian of the Threshold","description":"\u003ch5 data-start=\"187\" data-end=\"474\"\u003eProvenance\u003c\/h5\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-170\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"474e29d0-3ef2-407c-b90b-2265fd3114b2\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-end=\"872\" data-start=\"403\"\u003eThe \u003cem data-end=\"420\" data-start=\"407\"\u003eAshva Dwaar\u003c\/em\u003e draws from the enduring symbolism of the horse in Indian thought and artistic tradition. In Vedic literature and classical iconography, the \u003cem data-end=\"568\" data-start=\"561\"\u003eashva\u003c\/em\u003e represents vitality, strength, momentum, and purposeful movement. It is associated not merely with speed, but with directed energy — motion guided by awareness and discipline. The \u003cem data-end=\"756\" data-start=\"749\"\u003edwaar\u003c\/em\u003e, meaning threshold or doorway, signifies transition: the point between departure and arrival, past and possibility.\u003c\/p\u003e\n\u003cp data-end=\"1320\" data-start=\"874\"\u003eAcross South Indian architectural traditions, particularly in Karnataka, entrances have long been treated as meaningful spaces rather than simple passages. Doorways and lintels were often adorned with symbolic carvings intended to mark transition, offer protection, and invoke auspicious energy. The placement of sculptural forms at thresholds acknowledges that crossing from one space to another carries psychological and spiritual significance.\u003c\/p\u003e\n\u003cp data-end=\"1754\" data-start=\"1322\"\u003eThis handcrafted wooden wall hanging reinterprets that tradition in a contemporary context. Carved with deliberate restraint, the ashva is presented not in gallop, but in readiness — embodying contained power rather than impulsive motion. The warmth of wood softens the dynamism of the figure, grounding it in steadiness and balance. Subtle variations in grain and carving ensure that each piece carries its own quiet individuality.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1986\" data-start=\"1756\"\u003eRooted in Karnataka’s woodcraft heritage, the Ashva Dwaar Wall Hanging serves as both symbol and marker — an intentional presence at points of transition, reminding the viewer that every threshold invites mindful movement forward.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1986\" data-start=\"1756\"\u003eComes as a pair\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-170\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"474e29d0-3ef2-407c-b90b-2265fd3114b2\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003chr data-end=\"1756\" data-start=\"1753\"\u003e\n\u003cp data-end=\"1775\" data-start=\"1758\"\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThis wall panel is handcrafted from natural wood. Variations in grain, tone, minor surface textures, or carving nuances are inherent to the material and artisanal process.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThese distinctions are not defects but part of the authenticity and individuality of each piece.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eDimensions and weight are approximate due to the handmade nature of the work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Brahm Collection","offers":[{"title":"Default Title","offer_id":44196406525975,"sku":null,"price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/50.1.jpg?v=1768904899"},{"product_id":"katha-stambh-wall-panel","title":"Katha Stambh – The Story Pillar in Wood","description":"\u003ch5 data-end=\"529\" data-start=\"208\"\u003eProvenance\u003c\/h5\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-1\" data-testid=\"conversation-turn-172\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"27f7e9fd-500b-4655-ba6c-6c379da2a7af\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"434\" data-end=\"960\"\u003eThe concept of the \u003cem data-start=\"453\" data-end=\"467\"\u003eKatha Stambh\u003c\/em\u003e draws from the architectural and narrative traditions of the Indian subcontinent, where pillars were more than structural supports — they were carriers of symbolism, memory, and myth. In temples, mandapas, and royal courts, carved columns often narrated epics, local legends, and cosmological themes through sequential motifs and layered ornamentation. The vertical format naturally guided the eye upward, encouraging movement, pause, and reflection — much like the unfolding of an oral tale.\u003c\/p\u003e\n\u003cp data-start=\"962\" data-end=\"1404\"\u003eThe term \u003cem data-start=\"971\" data-end=\"978\"\u003eKatha\u003c\/em\u003e (Sanskrit: story or discourse) and \u003cem data-start=\"1014\" data-end=\"1022\"\u003eStambh\u003c\/em\u003e (pillar or column) together evoke the idea of a structure that holds narrative within form. In Karnataka’s woodcraft traditions, artisans have long translated architectural language into finely carved wooden elements for both sacred and domestic spaces. The rhythm of repetition, balanced segmentation, and proportioned detailing reflects this lineage of disciplined craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"1406\" data-end=\"1801\"\u003eThis handcrafted wall panel reinterprets the narrative pillar into a contemporary interior format. Carved from wood, the piece retains the warmth and organic grain that resist mechanical uniformity, ensuring subtle variation in every panel. The vertical segmentation creates a sense of progression — an invitation for the eye to travel, pause, and continue — embodying continuity without excess.\u003c\/p\u003e\n\u003cp data-start=\"1803\" data-end=\"1985\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eRooted in Karnataka’s artisanal heritage, the Katha Stambh Wall Panel bridges architectural memory and modern living, offering a quiet reminder that structure itself can carry story.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-170\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"474e29d0-3ef2-407c-b90b-2265fd3114b2\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003chr data-end=\"1756\" data-start=\"1753\"\u003e\n\u003cp data-end=\"1775\" data-start=\"1758\"\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThis wall panel is handcrafted from natural wood. Variations in grain, tone, minor surface textures, or carving nuances are inherent to the material and artisanal process.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThese distinctions are not defects but part of the authenticity and individuality of each piece.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eDimensions and weight are approximate due to the handmade nature of the work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"22\" data-end=\"230\"\u003e \u003c\/p\u003e","brand":"Brahm Collection","offers":[{"title":"Default Title","offer_id":44196410556439,"sku":null,"price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/51.1.jpg?v=1768904985"},{"product_id":"sabha-wall-panel","title":"Sabha Rhythm – Carved Panel of Gathering","description":"\u003ch5 data-end=\"553\" data-start=\"228\"\u003eProvenance \u003c\/h5\u003e\n\u003cp data-end=\"945\" data-start=\"422\"\u003eThe word \u003cem data-end=\"438\" data-start=\"431\"\u003eSabha\u003c\/em\u003e originates from Sanskrit, denoting an assembly, council, or gathering space where discourse, governance, and shared reflection take place. Historically, sabhas were not merely architectural enclosures but living environments of exchange — spaces where ideas were voiced, decisions shaped, and collective wisdom formed. Across South India, particularly in Karnataka, temple mandapas and courtly halls embodied this spirit through rhythmically carved pillars, structured symmetry, and balanced spatial order.\u003c\/p\u003e\n\u003cp data-end=\"1296\" data-start=\"947\"\u003eThis handcrafted wooden wall panel draws from that architectural language of assembly. Its composition reflects measured repetition and quiet geometry, echoing the cadence of columns and beams found in traditional gathering spaces. The carving does not overwhelm; instead, it creates a structured visual rhythm that suggests dialogue and continuity.\u003c\/p\u003e\n\u003cp data-end=\"1751\" data-start=\"1298\"\u003eWood, long favored in South Indian craftsmanship for both sacred and domestic interiors, introduces warmth and organic variation. The visible grain ensures that no two panels are identical, reinforcing the idea that collective spaces are formed through individual differences. Rooted in Karnataka’s woodcraft traditions, this piece translates the essence of the sabha into a contemporary wall format — architectural in spirit, contemplative in presence.\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-170\" data-turn-id=\"request-698e9193-35b0-8322-b3be-dba433bacb61-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"474e29d0-3ef2-407c-b90b-2265fd3114b2\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003chr data-end=\"1756\" data-start=\"1753\"\u003e\n\u003cp data-end=\"1775\" data-start=\"1758\"\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThis wall panel is handcrafted from natural wood. Variations in grain, tone, minor surface textures, or carving nuances are inherent to the material and artisanal process.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eThese distinctions are not defects but part of the authenticity and individuality of each piece.\u003c\/li\u003e\n\u003cli data-end=\"2123\" data-start=\"1777\"\u003eDimensions and weight are approximate due to the handmade nature of the work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Brahm Collection","offers":[{"title":"Default Title","offer_id":44196434116631,"sku":null,"price":137.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/52.1.jpg?v=1768905340"},{"product_id":"mandap-pillar-candle-holder-set-of-2-in-wood","title":"'Mandap' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThese pillar candle holders are made in the North Indian decorative woodcraft tradition: cylindrical forms turned on a lathe, their surfaces printed with patterned ornament, fitted with metal ring handles. The pairing of turned wood with surface-printed decoration is characteristic of workshops across Uttar Pradesh and Rajasthan, where the vocabulary of India's older decorative traditions — miniature painting, textile design, carpet-making — is translated into contemporary domestic objects.\u003c\/p\u003e\u003cp\u003eThe mandap is the open, columned pavilion that appears across Indian architectural and ritual life: the marriage mandap, the temple antechamber, the Mughal garden pavilion. It is defined by its openness — pillared on all sides, receiving light from every direction, the space of ceremony and gathering. These paired holders carry that logic: two uprights defining a space between them, the flame held at the centre, the object built for the occasion of people gathering around light.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191540801559,"sku":null,"price":181.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_20.svg?v=1780656530"},{"product_id":"kamala-pillar-candle-holder-set-of-2-in-wood","title":"'Kamala' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar candle holders with metal ring handles, from North Indian decorative woodcraft. The Kamala design draws its surface vocabulary from the lotus — the flower that in Indian sacred art has carried the deity above the water for over two thousand years, present in the earliest Buddhist sculpture, in the hands of Lakshmi and Saraswati, in the medallion compositions of Mughal carpets and Rajput textiles.\u003c\/p\u003e\u003cp\u003eThe lotus is the form of purity maintained in the world — rooted below in mud, rising cleanly to the surface, opening in full light. These pillar holders translate that vocabulary to a standing, functional object: the flame held at the top occupies the same position as the deity in the lotus throne, elevated and centred, the ornament below holding its context.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191540965399,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_23.svg?v=1780656674"},{"product_id":"gulzar-pillar-candle-holder-set-of-2-in-wood-and-resin","title":"'Gulzar' Pillar Candle Holder Set of 2 in Wood and Resin","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThese pillar holders are made in wood and resin — the resin layer built over the turned wood form, giving the surface depth and translucency that plain printed wood alone does not achieve. This combination of materials comes from North Indian workshops that have extended beyond traditional printed-wood technique to incorporate resin finishes, producing surfaces that hold their colour differently as light changes across them.\u003c\/p\u003e\u003cp\u003eGulzar (گلزار) names the garden in full bloom in Persian and Urdu — from gul (flower, rose) and zar (place of abundance). In Persian poetry and Mughal garden design, the gulzar is not merely a garden but a garden at its most alive: flowering, fragrant, generously full, the space where beauty and companionship coincide. Emperor Babur measured his homesickness in the absence of gulzars; the Mughal dynasty built their chahar baghs as physical gulzars, the evening lamp maintained at the centre.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are made in wood and resin. Minor variations in the resin surface depth and finish are natural features of the layered process.\u003c\/li\u003e\n\u003cli\u003eMinor surface imperfections are characteristic of handcrafted resin work and are not defects.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191540998167,"sku":null,"price":216.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_24.svg?v=1780656757"},{"product_id":"pallava-pillar-candle-holder-set-of-2-in-wood","title":"'Pallava' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar candle holders with a botanical motif and metal ring handles, from the North Indian decorative woodcraft tradition. The Pallava design draws its surface vocabulary from the garden: the leaf-and-growth pattern that in Indian decorative art appears in the painted borders of Mughal manuscripts, in the block-printed textiles of Sanganer and Bagru, in the marginal ornament of South Indian temple sculpture. The botanical form as repeat pattern, brought inside.\u003c\/p\u003e\u003cp\u003eIn Sanskrit botanical poetry, the pallava is the new shoot — the tender emerging leaf, still translucent, still holding the green of its becoming. It is the most delicate stage of a plant's growth: before the leaf hardens, before it carries the full weight of its season. These holders bring that quality to candlelight, where the botanical forms become both pattern and silhouette as the light moves across the surface.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541260311,"sku":null,"price":177.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_27_ff458d15-177a-4797-b11d-273c4cd1a757.svg?v=1780657052"},{"product_id":"nishagandha-pillar-candle-holder-set-of-2-in-wood","title":"'Nishagandha' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar holders with metal ring handles, drawing their motif from the night-jasmine — Nyctanthes arbor-tristis, the flower that opens only at dusk and falls before dawn. The night-jasmine has been part of Indian botanical illustration since the Mughal period, catalogued in the margins of court manuscripts and depicted in the natural surveys that the emperors commissioned. In temple courtyards across North and Central India, the harshingar tree is planted for exactly this property: its blossoms gathered each morning for offerings, its fragrance strongest in the evening.\u003c\/p\u003e\u003cp\u003eNishagandha names that fragrance specifically: nisha (night) + gandha (scent). The night-jasmine and the lit flame share their hours — both belong to the evening, both open when the sun goes down. These pillar holders are named for that convergence: an object for the time when the flower opens and the candle is lit, designed for the quality of attention that the evening invites.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541325847,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_28.svg?v=1780657308"},{"product_id":"tamra-pillar-candle-holder-set-of-2-in-wood-maroon","title":"'Tamra' Pillar Candle Holder Set of 2 in Wood - Maroon","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003ePrinted wood pillar candle holders in deep maroon - the colour of aged copper, of sindoor, of the evening sky at the last moment before the sun sets. Tamra is Sanskrit for copper: both the metal and its characteristic colour, which ranges from the orange-red of new copper to the deep warm maroon of the aged vessel. In Indian ritual life, copper has always been the metal of sacred use - the tamra patra of puja, the water vessel of the festival, the plates and lamps of ceremony. The colour carries that weight.\u003c\/p\u003e\n\u003cp\u003eThese holders place the maroon ground as the primary statement. The printed ornament is present on the surface, but the deep tone of the ground is what the piece is - a colour that belongs to ceremony, to the evening, to the kind of occasion that warrants light. In North Indian homes, the lit candle or diya is rarely a neutral act; these holders understand that register.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541391383,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_30.svg?v=1780657033"},{"product_id":"shringar-pillar-candle-holder-set-of-2-in-wood","title":"'Shringar' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar candle holders with a jewelled, ornamental surface and metal ring handles, from North Indian woodcraft. In Indian aesthetic theory, the nine rasas describe the fundamental modes of experience: of these, shringar — the rasa of love, beauty, and adornment — is the primary one, from which all others proceed. Shringar encompasses the decorated room, the dressed body, the ornamented object, the arrangement of flowers before a threshold. It is the principle that beauty offered to another is a form of care.\u003c\/p\u003e\u003cp\u003eThe jewelled surface print on these holders draws from the vocabulary of Indian jewellery-making: the faceted gem, the kundan setting, the layered stone that holds and reflects light. The smaller scale of this set — 4\" x 5\" and 4\" x 3\" — gives it an intimate quality suited to a dressing table, a puja shelf, or a bedside surface. Objects of shringar belong in the spaces where personal attention is given and received.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541489687,"sku":null,"price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_32.svg?v=1780657580"},{"product_id":"neel-pillar-candle-holder-set-of-2-in-wood-teal","title":"'Neel' Pillar Candle Holder Set of 2 in Wood — Teal","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar candle holders in teal, with a jewelled surface design and metal ring handles. Sanskrit nila names the deep blue that encompasses indigo, the sky before night, and the blue-green of deep water — the colour of Krishna's complexion in iconographic tradition, of Mughal glazed tilework, of the painted walls of Jodhpur's oldest quarters. Neel is the most fundamental Sanskrit colour word for blue, encompassing both the blue-green of deep water and the blue-black of the darkest sky.\u003c\/p\u003e\u003cp\u003eThe teal of these holders sits within that range: the blue-green that holds both the warmth of green and the depth of blue simultaneously — the colour of the peacock's neck feather, of turquoise inlay, of the glazed Bijapur dome. The jewelled surface print adds a layer of ornament over the colour; the colour itself is the piece's primary statement, carrying the weight of a tradition that has always understood blue as the colour of the infinite.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541620759,"sku":null,"price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_34.svg?v=1780657644"},{"product_id":"sandhya-pillar-candle-holder-set-of-2-in-wood","title":"'Sandhya' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eWood pillar candle holders with a layered decorative surface, from North Indian woodcraft. The Sandhya pieces come from workshops that treat the turned wood surface with depth - paint or finish applied in layers, building a quality that plain surface printing does not achieve. The material is clean: lathe-turned cylinder, worked surface, no metal fittings. Attention goes to the surface and the light it holds.\u003c\/p\u003e\n\u003cp\u003eSandhya (from sandhi, junction) names the threshold hours - the moments when day and night meet, when neither holds full claim. In Hindu practice, the sandhyavandana is the thrice-daily prayer performed at dawn, noon, and dusk: the acknowledgement that something is ending and something else beginning. Of the three sandhyas, the evening is the one that belongs to candlelight - the prayer performed as the lamps are lit. These holders are named for that hour and its quality of attention.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191541882903,"sku":null,"price":214.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_37.svg?v=1780657884"},{"product_id":"sawan-pillar-candle-holder-set-of-3-in-wood-rust-green","title":"'Sawan' Pillar Candle Holder Set of 3 in Wood — Rust Green","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eHandcrafted wood candle holders in a rust and green palette — individually made turned forms, each piece carrying the quality of direct craft rather than surface-printed cylinder. The Sawan range is named for the month of Shravan — the heart of the Indian monsoon, when the papiha calls, the earth turns green, and the festival of Teej is celebrated. The rust and green hold that palette: the warm ochre of dry earth before the first rains, the deep green of what follows.\u003c\/p\u003e\u003cp\u003eIn Hindi and Urdu poetry, Sawan is the season most associated with longing and reunion — the month when rain arrives and the dry landscape transforms. The pied crested cuckoo (papiha) is its emblematic bird, the green its emblematic colour, the earth's turning its emblematic act. These holders bring the monsoon's palette into the evening light, available in graduated heights so a set of three can be arranged as a landscape — the season contained in candlelight.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542013975,"sku":null,"price":278.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_38.svg?v=1780658095"},{"product_id":"badam-pillar-candle-holder-set-of-3-in-wood-and-resin","title":"'Badam' Pillar Candle Holder Set of 3 in Wood and Resin","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThree pillar candle holders in graduated heights — tall: 4\" x 8\" H, mid: 4\" x 6\" H, small: 4\" x ~4\" H — made in wood and resin with a surface design drawn from the vocabulary of South Asian textile craft. Before Europeans called it the paisley, the boteh was the badam: the almond. Kashmiri jamavar weavers named the teardrop motif after the almond seed — the curve of one side, the point of the other, the form that holds so much pattern within such a small outline. A single jamavar shawl, built entirely from this proliferating form, could take years to complete on the specialised twill-tapestry loom.\u003c\/p\u003e\u003cp\u003eThe resin surface of these holders gives the badam design a depth appropriate to the density of its reference. The graduated set of three echoes the jamavar tradition of working across registers — large, medium, small — each holding its pattern within the whole. The tallest piece sets the scale; the smallest completes it.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are made in wood and resin. Minor variations in the resin surface depth and finish are natural features of the layered process.\u003c\/li\u003e\n\u003cli\u003eMinor surface imperfections are characteristic of handcrafted resin work and are not defects.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542145047,"sku":null,"price":214.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_40.svg?v=1780658212"},{"product_id":"sagara-pillar-candle-holder-set-of-2-in-wood","title":"'Sagara' Pillar Candle Holder Set of 2 in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003ePrinted wood pillar candle holders in a blue and multi-colour palette, with metal ring handles. Sanskrit sagara names the ocean — not simply a body of water but the totality of the sea, the horizon that exceeds understanding. In Indian decorative tradition, the blue palette of the ocean has given colour to some of the most celebrated surfaces: the indigo-dyed cottons of the Gujarat and Coromandel coasts, the painted walls of Jodhpur, the glazed tilework of the Deccan sultanates. Blue in this tradition is never a single hue but a range — from the pale sky at noon to the near-black of the deep sea at night.\u003c\/p\u003e\u003cp\u003eThese holders draw from that range. The harbour blue at the surface — the specific blue of coastal light on water — holds its quality differently as the candlelight warms it: the cooler tone appears warmer, the pattern more visible, the surface more alive. The multi-colour detail in the print adds the complexity of the sea's surface, which is rarely one colour at any single moment.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542177815,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_42.svg?v=1780658212"},{"product_id":"gaura-pillar-candle-holder-set-of-2-in-wood-beige","title":"'Gaura' Pillar Candle Holder Set of 2 in Wood - Beige","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003ePrinted wood pillar candle holders in beige, with a jewelled ornamental surface and metal ring handles. Gaura in Sanskrit names the quality of fair, pale, golden-warm tone: not the cold white of marble but the warmth of natural linen, of aged ivory, of a Rajasthani haveli wall photographed in late afternoon. It is the colour before it has been intensified - the base quality, the ground from which deeper tones emerge. In Sanskrit poetry, gaura describes the specific warmth of the fair tone: pale but luminous, never cold.\u003c\/p\u003e\n\u003cp\u003eThe Gaura holders carry a jewelled ornamental print on a warm beige ground. Where other colourways in this collection announce themselves, the beige settles the ornament quietly. The print is present - visible close up, warm from a distance - but the dominant quality is the ground itself. The candlelight improves this surface: the beige deepens slightly with warmth, the print comes forward, the object improves as the evening progresses.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542210583,"sku":null,"price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_44.svg?v=1780658212"},{"product_id":"kunda-pillar-candle-holder-set-of-2-in-wood-ivory","title":"'Kunda' Pillar Candle Holder Set of 2 in Wood - Ivory","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003ePrinted wood pillar candle holders in ivory - the pale, luminous counterpart in the collection. The kunda is the white jasmine (Jasminum multiflorum), and its colour became, in classical Sanskrit literature, the standard for the most pristine white. In the Ramayana and Mahabharata, comparisons to kunda-white are used to describe teeth, moonlight, swan feathers, the foam of a river in flood. It is a specific white - not the cold white of the mineral but the white of something living, the colour that has warmth in it.\u003c\/p\u003e\n\u003cp\u003eThe ivory of these holders holds exactly that quality. Against this pale ground, the printed ornament settles quietly. The candlelight changes the surface: the warmth of the flame appears against the kunda-white field, making the light itself the primary element. The print becomes secondary; the flame is held in relief. Best where darker surroundings give the ivory its fullest contrast.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThese holders are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542243351,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_46.svg?v=1780658498"},{"product_id":"nada-glass-votive-set-of-2-in-glass-and-wood","title":"'Nada' Glass Votive Set of 2 in Glass and Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp data-start=\"943\" data-end=\"1288\"\u003eTwo glass tealight holders set on a printed wooden base featuring the full Gayatri Mantra rendered in Devanagari script and finished in gold tone. The Nada votives pair glass cups with a base carrying one of Hindu philosophy's most revered mantras, whose recitation is traditionally associated with illumination, wisdom, and inner awakening.\u003c\/p\u003e\n\u003cp data-start=\"1293\" data-end=\"1676\"\u003eThe name \u003cem data-start=\"1302\" data-end=\"1308\"\u003eNada\u003c\/em\u003e refers to primordial sound - the cosmic vibration from which creation arises in Shaiva philosophy. Here, the Gayatri Mantra and the flame occupy a complementary relationship: sacred sound and sacred light, each evoking the movement from the unmanifest to the manifest. Two glass cups, two flames, the gold-tone base catching and deepening the warmth of each tealight.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eDisclaimer\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted. Minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe printed wooden base may show slight colour variations - a natural feature of the handcrafted process.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542308887,"sku":null,"price":130.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_48.svg?v=1780658885"},{"product_id":"aruna-glass-votive-set-of-3-in-glass-and-wood","title":"'Aruna' Glass Votive Set of 3 in Glass and Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThree glass tealight cups set into a printed wooden tray with a gold-tone finish — from the North Indian tradition of decorated votive candleware. The Aruna set takes its name from the reddish-gold of dawn: in Sanskrit mythology, Aruna is the divine charioteer who drives the sun god Surya's chariot into the sky each morning, preceding the sun itself and painting the horizon in the specific warm light that announces sunrise without yet being it. Aruna is not the dawn but the quality of its light.\u003c\/p\u003e\u003cp\u003eThe three tealights on their gold-tone tray hold a version of that quality. The tealight's small warmth is close to the pre-dawn light — contained, specific, the quality of something beginning rather than arrived. In Hindustani classical music, the raga sung at this hour is the Bhairav or Lalit: slow, held, attending to the threshold. The Aruna votive set is designed for that register — an object that notices the quality of its own light.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted. Minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe printed wooden base may show slight colour variations — a natural feature of the handcrafted process.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542341655,"sku":null,"price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_51.svg?v=1780659582"},{"product_id":"mani-glass-votive-set-of-3-in-glass-and-wood","title":"'Mani' Glass Votive Set of 3 in Glass and Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThree glass tealight cups set into a jewel-print wooden base with a gold-tone finish, from North Indian votive candleware craft. The Mani votives draw from the Indian tradition of the jewel as a source of decorative vocabulary: the brocade weaver who translates the gem into a thread colour, the miniature painter who depicts the kundan setting in gold and lapis, the woodworker who reproduces the faceted form in surface print. India's jewellery tradition has always been a source of vocabulary for other crafts.\u003c\/p\u003e\u003cp\u003eMani in Sanskrit is the jewel — the single gem, the concentrated luminous point. In Buddhist philosophy, the mani appears in the most celebrated phrase in the tradition: mani-padme, the jewel in the lotus, the concentrated wisdom within the flower of consciousness. Three glass cups, three flames, three points of light set on the patterned base: small and specific, the mani's quality in domestic form.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted. Minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe printed wooden base may show slight colour variations — a natural feature of the handcrafted process.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542538263,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_52.svg?v=1780659580"},{"product_id":"prabha-glass-votive-set-of-3-in-glass-and-wood","title":"'Prabha' Glass Votive Set of 3 in Glass and Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThree glass tealight cups set on a printed wooden base with a gold-tone finish — from the North Indian tradition of decorated votive candleware. The Prabha votives are named not for light itself but for light's effect on its surroundings: prabha (from the Sanskrit root pra + bha, to shine forth) names the radiance that appears around a flame, the glow that the lamp casts on the wall, the luminosity visible between the source of light and the darkness it touches. In Sanskrit literature, prabha names the halo of the divine, the moonlight's glow, the beloved's face in firelight.\u003c\/p\u003e\u003cp\u003eThree glass votives on a printed wooden base: the tealight flame is the source; the prabha is what happens around it. The gold-tone base catches and deepens the warmth; the glass diffuses it into the room. The object named Prabha is named for the quality it produces, not the thing it contains.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted. Minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe printed wooden base may show slight colour variations — a natural feature of the handcrafted process.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542669335,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_54.svg?v=1780659580"},{"product_id":"shikhi-glass-votive-set-of-3-in-glass-wood-and-brass","title":"'Shikhi' Glass Votive Set of 3 in Glass, Wood and Brass","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThree frosted glass tealight holders on a printed wooden base with a cast brass peacock at the centre. The Shikhi set brings together three North Indian craft traditions: the decorated woodware of the workshop (the base and its print), the glass candleware tradition (the frosted cups), and the brass casting tradition (the peacock form). Shikhi is the classical Sanskrit epithet for the peacock — the crested one — named for the distinctive crown of feathers that marks the bird above all others. Shikhi is also a Sanskrit word for fire, which wears its own crest of dancing flame: the peacock and the flame share the quality of rising to a point.\u003c\/p\u003e\u003cp\u003eThe peacock is among the most depicted forms in Indian visual culture — present in temple carvings, Mughal carpet borders, Rajput court paintings, Kutchi embroidery, and the iconography of Krishna, who wears the peacock's eye-feather in his crown. The brass peacock on this votive set is a small casting from this tradition: a domestic version of a form produced in Indian metalwork from the large court-scale sculpture to the small figure placed at a household shrine.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted; minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe brass peacock is a cast fitting. Minor variations in surface finish are natural features of cast brasswork and are not defects.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191542800407,"sku":null,"price":153.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_56.svg?v=1780659582"},{"product_id":"dhruva-glass-votive-set-of-2-in-glass-and-wood","title":"'Dhruva' Glass Votive Set of 2 in Glass and Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eTwo individual glass tealight votives, each with its own decorated wooden base — not a tray set but two separate, complete pieces. Each holds a flame independently; the cylindrical glass form is the most direct votive type: transparent, open, the flame visible from every angle. In Hindu mythology, Dhruva is the child-devotee who achieved through unwavering meditation the status of the Pole Star — the fixed point around which the night sky revolves. Dhruva is the quality of the flame that does not flicker, the constant amid the turning, the point of constancy against which all motion is measured.\u003c\/p\u003e\u003cp\u003eThese two votives carry that quality independently. Place them together or apart — one on a side table, one at a bedside, one on either end of a mantelpiece. Each piece is dhruva in its own position: the unwavering flame, stable in itself, indifferent to what moves around it. The decorated wooden base anchors each piece; the gold-tone print adds warmth below the glass.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGlass tealight cups are individually fitted. Minor variations in placement are expected.\u003c\/li\u003e\n\u003cli\u003eThe printed wooden base may show slight colour variations — a natural feature of the handcrafted process.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45191543554071,"sku":null,"price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_60.svg?v=1780659578"},{"product_id":"toran-photo-frame-in-wood","title":"'Toran' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThe toran — in Indian domestic tradition — is the decorative garland hung at doorways to mark ceremony and welcome. This frame carries that same sensibility: its surface is covered in applied floral motifs, each worked by hand in the painted wood workshops of Jodhpur where craftspeople have treated wood as a surface for ornament for generations. The craft is that of painted wood and resin composite, shaped and hand-finished with gold-toned paint built up in layers to achieve the slightly raised, ornate quality of the motifs.\u003c\/p\u003e\n\n\u003cp\u003eJodhpur's artisan quarters have supplied painted wood objects to domestic and export markets for over a century. The workshops that produce this range sit within a broader tradition of lacquered and gilded wooden objects — from furniture to small devotional pieces — where gold finishing is understood not as luxury but as craft knowledge: how to build colour, depth, and patina through repeated application by hand.\u003c\/p\u003e\n\n\u003cp\u003eThe frame holds a 7×5 inch photograph and stands freestanding on any flat surface. Its surface catches light differently across the day — the worked floral motifs reading as shadow at certain angles, as pattern at others.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192323498007,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_63.svg?v=1780660268"},{"product_id":"gulnar-photo-frame-in-wood","title":"'Gulnar' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThis frame belongs to a lineage of painted wood objects that the workshops of Jodhpur and Jaipur have produced for export and domestic use for over a century. The craft is precise: wood is lathe-turned to a clean profile, sanded, sealed, and painted by hand in multiple layers to achieve an even, deep finish. The Kara range — of which Gulnar, Sabzaar, and Chandan are three colour expressions — represents this tradition in its most functional form: no applied ornament, just the frame and its colour.\u003c\/p\u003e\n\n\u003cp\u003eCrimson in Rajasthani craft is specific. It references lac — the natural resin that Rajasthan's lacquerware artisans have worked with for centuries, producing bangles, furniture accents, and decorative objects in this exact depth of red. Gulnar translates that colour tradition into a clean, modern object: a frame that holds a 7×5 photograph and stands on any flat surface, in portrait or landscape orientation.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192323661847,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_65.svg?v=1780660364"},{"product_id":"sabzaar-photo-frame-in-wood","title":"'Sabzaar' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThe Kara range from Jodhpur's painted wood workshops produces frames in a clean, consistent profile — lathe-turned wood, layered paint, even colour. Sabzaar is the emerald expression of that range: the same construction and craft tradition as the crimson Gulnar and dark brown Chandan, but in a green that reads as deep and considered rather than ornamental.\u003c\/p\u003e\n\n\u003cp\u003eEmerald in the vocabulary of Rajasthani craft references the sabzaar — the lush garden that appears in Persian-influenced Mughal decoration and in the painted furniture and wooden objects of the Shekhawati region. Workshops in Jodhpur have worked with this colour tradition for generations, producing objects for domestic use and export in finishes derived from, though not identical to, the natural pigment traditions behind them.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192323923991,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_89a406c0-130f-4887-b746-b4ba4c329b12.svg?v=1780677259"},{"product_id":"zarnigar-photo-frame-in-wood","title":"'Zarnigar' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eZarnigar belongs to the gilded painted wood tradition of Jodhpur and Jaipur — workshops that have applied gold finish to carved and turned wood for both sacred objects and decorative pieces for generations. The technique involves multiple stages: shaping the wood, applying a base coat, then building metallic paint in layers, with final patination to achieve an aged, antique quality rather than a flat gold. The corner motifs are applied by hand, each requiring individual attention to placement and depth.\u003c\/p\u003e\n\n\u003cp\u003eThis tradition sits within the broader craft ecosystem of Rajasthan where meenakari (enamel work), kundan (stone setting), and gilding have historically been practised by specialist artisan communities. The painted wood form of gilded ornament draws from these specialist traditions but applies them to wood, making the resulting objects accessible in both price and material weight.\u003c\/p\u003e\n\n\u003cp\u003eThe frame holds a 7×5 photograph and reads as specifically regal — the corner motifs creating a sense of deliberate ceremony around whatever is placed inside.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192324153367,"sku":null,"price":138.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_2.svg?v=1780677462"},{"product_id":"taabinda-photo-frame-in-wood","title":"'Taabinda' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThe Noor series sits within the same gilded painted wood tradition as Zarnigar but with a distinct motif grammar — the corner ornament pattern here is tighter, with a different articulation of the detail that surrounds the aperture. Both are made in the same Jodhpur workshops, using the same process of layered metallic paint application over a shaped wood base, with final patination to achieve an antique gold rather than a bright one.\u003c\/p\u003e\n\n\u003cp\u003eIn Rajasthan, the craft of gilded wood objects — frames, furniture, small devotional pieces — has been sustained by artisan communities who specialise in surface treatment: the application of gold, colour, and ornament to wooden forms produced by separate turners and carpenters. This division of labour between shaper and finisher is characteristic of the craft structure here, and it produces objects where the material and the ornament speak different but complementary languages.\u003c\/p\u003e\n\n\u003cp\u003ePlaced alongside Zarnigar, the two frames share a vocabulary of antique gold without being identical — each has its own rhythm of ornament. Holds a 7×5 photograph.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192324481047,"sku":null,"price":138.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_4_58d896d9-6e7e-4037-86c8-39052364cc20.svg?v=1780677539"},{"product_id":"kumkum-photo-frame-in-wood","title":"'Kumkum' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThe craft these frames belong to draws on the painted wood and shisha-work traditions of Jodhpur's artisan workshops — wood shaped and painted, then dressed in applied decorative detail: small motifs and accent pieces that create a surface of controlled ornament. This tradition is specific to the artisan quarters of Jodhpur and the surrounding Marwar region, where craftspeople produce painted wooden objects for both domestic ritual use and export, working across a range of coloured grounds.\u003c\/p\u003e\n\n\u003cp\u003eMaroon in the vocabulary of this craft tradition references kumkum — the deep vermillion used in Indian ritual marking — and lac, the natural resin from which Rajasthan's most prized bangle-making tradition draws its colour. The jewelled surface multiplies this depth: the painted motifs and accent details over the maroon ground read as a worked surface rather than a flat one.\u003c\/p\u003e\n\n\u003cp\u003eThe frame holds a 7×5 photograph and makes its presence felt. It is the frame that makes the photograph more important by surrounding it with deliberate colour and craft.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192324710423,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_6_318caef8-d08b-4943-97a5-7d29f2bee6c2.svg?v=1780677667"},{"product_id":"ksheer-photo-frame-in-wood","title":"'Ksheer' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eKsheer is an ivory expression of the Abeer workshop range from Jodhpur — the same painted wood surface tradition as Kumkum (maroon), Haldi (beige), and Mayuri (teal), with the same process of layered hand-applied colour and applied decorative motifs over a shaped wood base. The ivory ground changes the register entirely: where maroon reads as deep and saturated, ivory carries the motifs more openly, with a lightness that reveals the craft detail rather than merging with it.\u003c\/p\u003e\n\n\u003cp\u003eThe painted wood workshop tradition of Rajasthan has long worked in ivory and cream grounds — colours associated with both the everyday object and with celebration. In the craft vocabulary of Jodhpur's artisan workshops, ivory painted wood objects are among the most produced, sitting between the highly ornate and the restrained.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192324775959,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_8.svg?v=1780677738"},{"product_id":"haldi-photo-frame-in-wood","title":"'Haldi' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eHaldi belongs to the Amrapali painted wood workshop range from Jodhpur — the same craft tradition as the Abeer frames (Kumkum, Ksheer) but with its own colour identity. The workshop technique is consistent: wood shaped to a standard profile, painted in layers of hand-applied colour, then embellished with applied motifs and accent details to build the jewelled surface quality.\u003c\/p\u003e\n\n\u003cp\u003eBeige-gold in Rajasthani craft holds a specific cultural resonance. Haldi paste is applied in the haldi ceremony before a wedding — across the hands, face, and arms of the bride and groom — to soften and warm the skin with its golden colour. It is among the most elemental colours in Indian ceremonial life: the colour of preparation, of the transition that precedes celebration. Here it is the ground colour of a frame that holds what matters.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325005335,"sku":null,"price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_10.svg?v=1780677803"},{"product_id":"mayuri-photo-frame-in-wood","title":"'Mayuri' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eMayuri is the teal expression of the Amrapali workshop range from Jodhpur — the same painted wood tradition as Haldi, Ksheer, and the Abeer frames. Wood shaped to a standard profile, painted in layered hand-applied colour, then worked with applied decorative motifs that build the jewelled surface quality. The teal ground requires more preparation than the ivory or beige variants — a blue-green of this depth needs multiple base coats before it reads correctly.\u003c\/p\u003e\n\n\u003cp\u003eThe blue-green of the peacock has been present in Indian craft and painting for as long as records exist: in Mughal miniature backgrounds, in the dyed cottons of Rajasthan, in the glass bangles of Firozabad. It is a colour that carries natural precision — everyone in India knows exactly what peacock blue means — and the workshop tradition of Jodhpur has used it in painted wood objects precisely because of that clarity.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325201943,"sku":null,"price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_12_fe86dd54-350d-444f-9a01-c5c2e3daeddf.svg?v=1780677889"},{"product_id":"chandan-photo-frame-in-wood","title":"‘Shyam’ Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eShyam is a wooden photo frame with a dark hand-painted finish and a warm aged-gold inner edge. The frame has a deep stepped profile, broad at the outside and drawn inward toward the photograph, giving it weight without excess ornament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe outer surface is dark and still, closer to old polished wood than a flat painted black. Around the photograph, the inner bevel carries a softened metallic finish — rubbed, warm, and slightly uneven in tone. This contrast is what gives the frame its character: shadow at the edge, light at the centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade to hold a 7×5 inch photograph, Shyam can be placed in either portrait or landscape orientation. It is suited to portraits, family photographs, small works on paper, or any image that asks for a quiet, formal setting.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325365783,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_14_ac86f68d-0b94-4c48-9edf-036cc4a83d16.svg?v=1780677889"},{"product_id":"madhup-photo-frame-in-wood","title":"'Madhup' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eJodhpur's craft workshops have always moved between tradition and adaptation. The frame itself is turned and finished wood — clean profile, natural tone. The bee accent is cast in resin: a contemporary technique that Jodhpur's export craft sector adopted alongside traditional materials (brass, stone, lacquered wood) from the late twentieth century onward. Frame and bee are made separately — the wood by turning, the resin bee by casting — and assembled into a single object before finishing.\u003c\/p\u003e\n\n\u003cp\u003eThe bee as a motif in Indian craft draws from multiple traditions: from the bhramar of Sanskrit poetry, the bee circling the lotus; from the role of bees in Rajasthani folk imagery, associated with gardens, flowers, and the labour of making. In this frame the bee is not a decorative pattern but a small three-dimensional form — something to notice before you notice the photograph.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325627927,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_16_648fa12f-c810-4bc8-8496-e235a962c2fd.svg?v=1780678037"},{"product_id":"vihag-photo-frame-in-wood","title":"'Vihag' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eVihag is the compact expression of the Fara bird-frame range from Jodhpur — a turned wood frame with a cast resin bird accent at the upper corner. The bird is individually cast in resin, given a gold finish, and assembled onto the frame as a sculptural accent. This is contemporary Indian craft: the traditional woodturning knowledge of Rajasthan combined with the resin casting techniques that Jodhpur's export workshops adopted as part of the city's expansion into international handicraft markets.\u003c\/p\u003e\n\n\u003cp\u003eBirds in Indian craft tradition carry a long lineage — from the suryakanta of classical sculpture to the parrot messengers of Rajput miniature painting, to the peacock that appears across almost every form of Indian decorative art. The small gold bird on this frame is not illustrative of any one tradition; it is a distillation of all of them — a bird at rest, a small presence at the corner of something that holds a memory.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325693463,"sku":null,"price":90.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_20_9b9ae9fc-244b-4731-8e00-b257ed2c2eb1.svg?v=1780678210"},{"product_id":"parna-photo-frame-in-wood","title":"'Parna' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eParna is the larger expression of the Fara bird-frame range from Jodhpur — a turned wood frame with a cast resin gold bird accent at the upper corner, designed to hold a 7×5 inch photograph. The craft process is the same as the compact Vihag: separately made wood frame and cast resin bird, assembled into a single object. At this larger scale, the bird is more present — not a detail but a genuine counterpoint to the photograph inside.\u003c\/p\u003e\n\n\u003cp\u003eThe Fara range sits within Jodhpur's export craft tradition, which has historically combined specialist knowledge of different materials — wood turning, metal casting, resin work — within a single workshop ecosystem. The gold finish on the bird is hand-applied rather than sprayed, giving the surface a warmth consistent with handwork rather than the uniform brightness of industrial finishing.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325726231,"sku":null,"price":107.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_c972373d-10f7-4fef-ac72-b4b2a21df8c6.svg?v=1780941855"},{"product_id":"afsana-photo-frame-in-wood","title":"'Afsana' Photo Frame in Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\n\u003cp\u003eThe Samara range from Jodhpur produces frames with a deliberate sense of accumulation — pattern, colour, and form layered into objects with visual weight. The craft behind Afsana draws simultaneously from the painted wood tradition of Rajasthan and from the Persian-influenced decorative vocabulary that entered the region during the Mughal period and never fully left: arabesque borders, geometric interlocking patterns, and the use of multiple colours within a single decorative field. The result is a surface that reads as historically grounded without being archaic.\u003c\/p\u003e\n\n\u003cp\u003eJodhpur's position as a major handicraft export centre means its workshops have always been in dialogue with multiple aesthetic traditions — Indian, Persian, European, and contemporary. The Samara range reflects that dialogue: it is not purely traditional and not purely contemporary, but sits in the productive middle ground where most of the best Indian craft objects have always lived. At 12×10 inches outer, Afsana is the largest frame in this collection and holds a 7×5 photograph at the centre of a surface that has its own claim on attention.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eAs with all handcrafted objects, slight variations in colour, surface finish, and dimensions are inherent to the making process — evidence of the hand, not defects.\u003c\/em\u003e\u003c\/p\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192325988375,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_22_6f99315c-58a5-49cd-a37b-371f6b19a42c.svg?v=1780678211"},{"product_id":"harsha-decorative-tissue-box-in-printed-wood","title":"'Harsha' Decorative Tissue Box in Printed Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Harsha tissue box cover belongs to the North Indian tradition of decorative woodware: wooden forms — boxes, trays, stands — whose surfaces are treated with colour and pattern to transform a functional object into a decorative one. The technique is screen or digitally-applied printing on a prepared wood surface, sealed under resin to produce a waterproof, durable finish. This approach draws on the older lineage of painted and lacquered woodwork from workshops across Rajasthan and western Uttar Pradesh, where lac-coated household objects have been made for domestic and ceremonial use for centuries.\u003c\/p\u003e\u003cp\u003eThe print on Harsha carries a bold traditional vocabulary — dense surface ornament in a confident multicolour palette. The compositional logic belongs to the North Indian decorative tradition: field and border working together, the surface treated as an opportunity for pattern. The same formal principles that govern a painted border in a Mughal manuscript or the repeat in a block-printed textile organise the surface of this box — compressed here to a daily domestic object.\u003c\/p\u003e\u003cp\u003eThe piece is finished waterproof — the sealed surface suited to desk, vanity, or dining table. The top panel accepts a standard tissue insert. Each box is individually handcrafted; print placement and colour tone may vary slightly between pieces as a natural feature of the process.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580104215,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_23_da7b719a-ad39-4b0b-82cc-dd6464802fa0.svg?v=1780686702"},{"product_id":"dhara-decorative-tissue-box-in-printed-wood","title":"'Dhara' Decorative Tissue Box in Printed Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Dhara tissue box cover belongs to the North Indian tradition of decorative woodware — the practice of treating cut wooden forms with colour and surface print to produce objects that are functional and decorative in equal measure. The technique is screen or digitally-applied printing on a prepared wood surface, sealed under resin for a waterproof finish. The tradition draws on centuries of painted and lacquered woodwork from workshops in Rajasthan and western Uttar Pradesh, where decorated wooden objects have been made for domestic and ceremonial use across generations.\u003c\/p\u003e\u003cp\u003eThe surface vocabulary of Dhara belongs to India's heritage decorative tradition: the border compositions, medallion forms, and layered ornament that organise the great decorative periods of North Indian visual culture — from Mughal carpet borders and architectural tile patterns to the painted registers of Rajput court manuscripts. Dhara (stream, the flow that carries forward) names the quality of this inheritance: the same compositional principles that organised a sixteenth-century court object appearing here on the surface of a daily domestic piece.\u003c\/p\u003e\u003cp\u003eThe piece is finished waterproof and accepts a standard tissue insert through the open top panel. Each box is individually handcrafted; print placement and colour tone may vary slightly between pieces.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580202519,"sku":null,"price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_25.svg?v=1780686702"},{"product_id":"bahar-decorative-tissue-box-in-printed-wood","title":"'Bahar' Decorative Tissue Box in Printed Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Bahar tissue box cover draws its surface vocabulary from the tradition of Rajasthani haveli mural painting — specifically the decorated interiors of historic merchant mansions in the Shekhawati region, where entire rooms were covered in bold-ground murals depicting gardens, mythological narratives, birds, and flowering forms. Shekhawati's painted havelis — concentrated in towns such as Nawalgarh, Mandawa, and Fatehpur — represent one of the most extensive surviving bodies of mural painting in India, with traditions that date from the seventeenth century and reached their fullest expression in the eighteenth and nineteenth centuries.\u003c\/p\u003e\u003cp\u003eThe garden (bagh) is a recurring subject in this tradition: not merely depicted as a setting but treated as an ornamental vocabulary in itself — flowers, trees, and birds arranged in registers that follow the same compositional logic as a woven carpet or a manuscript border. The chinar tree (Platanus orientalis), emblematic of Kashmiri garden design and present across Mughal garden iconography, brings a Central Asian note into this Rajasthani repertoire. The surface of Bahar holds both registers: the floral density of the haveli mural and the ordered garden of the classical tradition.\u003c\/p\u003e\u003cp\u003eThe piece is printed on wood and finished waterproof under resin — suitable for desk, vanity, or tabletop. Accepts a standard tissue insert through the open top. Each box is individually handcrafted; minor variations in colour are expected.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580268055,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_28.svg?v=1780686880"},{"product_id":"varna-wooden-napkin-holder-in-printed-wood-and-resin","title":"'Varna' Wooden Napkin Holder in Printed Wood and Resin","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Varna napkin holder belongs to the North Indian tradition of decorative woodware — a practice of treating shaped wooden forms with colour and surface ornament to produce objects that are functional and decorative in equal measure. The holder takes the form of a low rectangular frame: wood body, surface-printed with pattern and sealed under resin, metal fittings completing the construction. The technique comes from workshops in Delhi NCR and western Uttar Pradesh, where artisans adapt the vocabulary of India's painted and lacquered woodwork traditions to contemporary domestic forms.\u003c\/p\u003e\u003cp\u003eThe surface print on Varna carries a bold multicolour ornamental vocabulary. Varna in Sanskrit names colour itself — not a specific hue but the quality of colour as presence, the expressive charge a surface carries when actively ornamented. The same tradition of treating a functional object as an opportunity for surface pattern runs from the painted lac-ware boxes of Rajasthan to the printed woodware of contemporary North Indian workshops: the domestic object understood as deserving the same attention as the ceremonial one.\u003c\/p\u003e\u003cp\u003eThe waterproof resin surface makes the holder suited to everyday table use. Each piece is individually handcrafted; print placement and colour tone may vary slightly between pieces as a natural feature of the process.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed and resin-sealed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580497431,"sku":null,"price":82.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_19_b351657b-ddd0-4fbd-8f30-76b73cf77e6c.svg?v=1780685577"},{"product_id":"naksha-wooden-napkin-holder-in-printed-wood-and-resin","title":"'Naksha' Wooden Napkin Holder in Printed Wood and Resin","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Naksha napkin holder belongs to the North Indian tradition of decorative woodware — wooden forms treated with surface print and sealed under resin to produce objects that combine function with ornament. The construction is straightforward: a low rectangular wood frame, the surface decorated with a repeating multicolour print, metal edge fittings completing the form. The tradition comes from workshops in Delhi NCR and western Uttar Pradesh, where the vocabulary of India's older painted woodwork traditions is translated into contemporary domestic objects through print and resin techniques.\u003c\/p\u003e\u003cp\u003eNaksha derives from Arabic naqsha, arriving into Hindi and Urdu as the word for pattern, design, and plan — in the vocabulary of Indian craft, the naksha is the drawn structure that precedes the making: the pattern the weaver follows on the loom, the design the block-printer presses into cloth, the repeat the woodworker prints onto the surface. The surface of this holder is its naksha made visible — the patterned plan of its making held in the finished piece.\u003c\/p\u003e\u003cp\u003eThe resin-sealed surface is waterproof and suited to everyday table use. Each piece is individually handcrafted; print placement may vary slightly between pieces.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed and resin-sealed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580628503,"sku":null,"price":82.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_16.svg?v=1780685485"},{"product_id":"sumana-wooden-napkin-holder-in-printed-wood-and-resin","title":"'Sumana' Wooden Napkin Holder in Printed Wood and Resin","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Sumana napkin holder belongs to the North Indian tradition of decorative woodware — wooden forms treated with surface print and sealed under resin to produce objects that combine function with ornament. The construction combines a wood body, surface print sealed under resin, and metal edge fittings. The technique comes from workshops in Delhi NCR and western Uttar Pradesh, where the vocabulary of India's older painted and lacquered woodwork is adapted to contemporary domestic forms through print and resin processes.\u003c\/p\u003e\u003cp\u003eThe surface print on Sumana draws from the floral vocabulary of Indian decorative ornament — the flowering forms that appear across Hindu and Buddhist iconography, Mughal garden design, and the painted surfaces of the North Indian workshop tradition. Sumana in Sanskrit names the flower as something beautiful and auspicious: the offering flower, the garland, the blossom that carries cultural weight beyond its appearance. In Sanskrit poetic tradition, sumana specifically names the flowers gathered for temple offerings and ceremonial use — flowers that have been cultivated for their beauty and their capacity to stand as gifts.\u003c\/p\u003e\u003cp\u003eThe resin-sealed surface is waterproof and suited to everyday table use. Each piece is individually handcrafted; print placement may vary slightly between pieces.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed and resin-sealed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580792343,"sku":null,"price":82.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_21_7e201020-fab4-47b9-9fdc-06b02ebdb682.svg?v=1780686577"},{"product_id":"shweta-wooden-napkin-holder-in-printed-wood-ivory","title":"'Shweta' Wooden Napkin Holder in Printed Wood — Ivory","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Shweta napkin holder belongs to the North Indian tradition of decorative woodware — wooden forms treated with surface print to produce objects that are functional and decorative in equal measure. The technique is screen or digitally-applied printing on a prepared wood surface, sealed for durability. The tradition comes from workshops in Delhi NCR and western Uttar Pradesh, where artisans adapt the vocabulary of India's painted woodwork to contemporary domestic forms.\u003c\/p\u003e\u003cp\u003eThe surface of Shweta works through restraint rather than density — an ivory ground set against a jewelled ornamental print. The pale field carries the decorative print quietly; the ornament is visible at close range, warm and luminous from a distance. The ivory palette belongs to the Sanskrit aesthetic vocabulary of shweta — the specifically warm, living paleness that is not cold white but the luminosity of natural materials: the inside of a shell, natural linen, the jasmine blossom. The jewelled print draws from the vocabulary of Indian ornamental tradition — the faceted gem, the kundan setting, the surface ornamented with concentrated points of pattern.\u003c\/p\u003e\u003cp\u003eThe waterproof surface is suited to everyday table use. Each piece is individually handcrafted; print placement and colour tone may vary slightly between pieces as a natural feature of the process.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print placement should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192580956183,"sku":null,"price":82.82,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KaroListings_29.svg?v=1780686981"},{"product_id":"varun-bin-planter-in-printed-wood","title":"'Varun' Bin Planter in Printed Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Varun bin planter belongs to the North Indian tradition of decorative woodware — wooden forms treated with surface print and sealed under a waterproof finish to produce objects that are functional and decorative in equal measure. The technique is screen or digitally-applied printing on a prepared wood surface, sealed under resin or lacquer. The tradition comes from workshops in Delhi NCR and western Uttar Pradesh, where artisans adapt the vocabulary of India's painted and lacquered woodwork traditions to contemporary domestic forms including storage, display, and planting vessels.\u003c\/p\u003e\u003cp\u003eThe palette on Varun — brick red and slate blue — draws from the colour vocabulary of North Indian decorative art: the deep terra of fired earth and the slate-blue of the monsoon sky, the two tones that together characterise the painted surfaces of Rajasthani and UP workshops at their most elemental. Varun in Sanskrit names the Vedic deity of waters and the sky — the cosmic force that holds the blue of the heavens and the deep of the sea simultaneously, the quality of colour that belongs to depth rather than brightness.\u003c\/p\u003e\u003cp\u003eThe waterproof surface makes this decorative wooden planter suited to everyday use — as a planter with a liner (sold separately), a wastebin, or a storage vessel for the desk or living room. Each piece is individually handcrafted; print placement and colour tone may vary slightly between pieces as a natural feature of the process.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192904966167,"sku":null,"price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_6.svg?v=1780680429"},{"product_id":"kosh-bin-planter-with-metal-liner-in-printed-wood","title":"'Kosh' Bin Planter with Metal Liner in Printed Wood","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\u003cp\u003eThe Kosh bin planter belongs to the North Indian tradition of decorative woodware — wooden forms treated with surface print and sealed under a waterproof finish. The technique is screen or digitally-applied printing on a prepared wood surface, sealed under lacquer. The tradition comes from workshops in Delhi NCR and western Uttar Pradesh, where artisans adapt the vocabulary of India's painted woodwork to contemporary domestic forms including storage and planting vessels.\u003c\/p\u003e\u003cp\u003eThe fitted metal liner distinguishes Kosh from a purely decorative object: the liner makes the wooden shell genuinely functional as a planter without risk of water damage to the printed wood exterior. The metal inner vessel holds soil or a potted plant; the decorated wood exterior carries the ornamental surface. This combination — the functional core, the decorative shell — is characteristic of how North Indian workshops have always treated the domestic object: the interior holds, the exterior declares. Kosh in Sanskrit names the treasury or vessel — the sheath or case that holds and protects something of value.\u003c\/p\u003e\u003cp\u003eThe waterproof printed surface suits everyday use; the metal liner handles plant moisture. Each piece is individually handcrafted; print placement and colour tone may vary slightly between pieces.\u003c\/p\u003e\u003chr\u003e\u003cp\u003eDisclaimer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThese pieces are handcrafted in wood with a printed surface. Variations in tone and colour are a natural feature of the process.\u003c\/li\u003e\n\u003cli\u003eMinor differences in print registration or surface texture should be understood as the signature of individual craft, not a defect.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Karo","offers":[{"title":"Default Title","offer_id":45192905293847,"sku":null,"price":214.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Karo_Listings_4.svg?v=1780680378"}],"url":"https:\/\/www.brahmcollection.com\/collections\/wooden-accents.oembed?page=2","provider":"Brahm Collection","version":"1.0","type":"link"}