{"title":"Ancient India Prints","description":"\u003cp\u003eA curated collection of Indian prints drawn from the royal courts and hill kingdoms of ancient India, spanning mythology, portraiture, romance, and devotion.\u003c\/p\u003e\u003cp\u003eEach piece is sourced from historical Indian paintings dating from the 17th to 19th century, a period when court artists across northern India produced some of the most refined and luminous works in the history of Asian art. Scenes of gods and goddesses, kings and heroines, lovers and ascetics, rendered in jewel-like colour and precise, elegant line.\u003c\/p\u003e\u003cp\u003eThese Indian art prints are printed to order on archival canvas paper and available in three sizes, designed for contemporary walls. Each listing includes the provenance of the original painting: its date, its kingdom, its story.\u003c\/p\u003e","products":[{"product_id":"enthroned-rama-and-sita-pahari-miniature-print-c-1765","title":"'Enthroned Rama and Sita' Canvas Cloth Print, c.1765","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eIn the final scene of the Ramayana’s Yuddha Kanda, Rama and Sita sit enthroned together — the long exile ended, Ravana defeated, the world returned to order. Before them, the commanders of the monkey and bear armies offer their respects: Rama’s three brothers visible at the right, the chiefs of the monkey and bear armies arrayed in devotion before the royal pair, the composition holding both triumph and stillness in the same frame.\u003cbr\u003e\u003cbr\u003eThis leaf comes from a Pahari Ramayana manuscript produced around 1765 in the hill kingdoms of Northern India. The Pahari tradition — a school of miniature painting that flourished in the foothills of the Himalayas — is characterised by a jewel-toned palette, fine interior line, and an emotional register that moves between tender and ceremonial within the same folio. This scene occupies the formal register: symmetrical, hierarchical, figures placed with deliberate care against an architectural ground.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 27 in","offer_id":45078342402071,"sku":null,"price":185.0,"currency_code":"USD","in_stock":true},{"title":"22 x 33 in","offer_id":45078342434839,"sku":null,"price":275.0,"currency_code":"USD","in_stock":true},{"title":"26 x 39 in","offer_id":45078342467607,"sku":null,"price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_28.png?v=1781216583"},{"product_id":"raja-hari-sen-of-mandi-pahari-miniature-print-c-1650","title":"'Raja Hari Sen of Mandi' Canvas Cloth Print, c.1650","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eRaja Hari Sen of Mandi is depicted here in the dress of a Mughal court contemporary — a gheradar jama cinched with a short pataka, and a Jahangir-style turban already out of fashion at the centre when this portrait was made. The detail is telling: at the Pahari hill courts, Mughal style carried prestige long after it had moved on at the source. His left hand rests on a sword in a mauve sheath; his right reaches toward the dagger at his belt. The pose is composed and assured, the backdrop a flat fern green, the figure held against it with careful outline.\u003cbr\u003e\u003cbr\u003eThe Mandi school produced some of the most formally precise portraiture of the Pahari kingdoms — images conceived as court record as much as art, the figure rendered with a flatness and clarity that gives them an almost heraldic authority.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 36 in","offer_id":45078376022039,"sku":null,"price":245.0,"currency_code":"USD","in_stock":true},{"title":"22 x 44 in","offer_id":45078376054807,"sku":null,"price":365.0,"currency_code":"USD","in_stock":true},{"title":"26 x 52 in","offer_id":45078376087575,"sku":null,"price":510.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_34.png?v=1781216937"},{"product_id":"mars-from-a-mandi-astrology-series-pahari-miniature-print-c-1810","title":"'Mars, from a Mandi Astrology Series' Canvas Cloth Print, c.1810","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eIn Indian astrological tradition, each planet is personified as a deity whose disposition at a birth or ceremony shapes its character. Here, Mars — the planet of war and force — appears as a warrior with green skin, mounted on a tiger crossing the sky, his bearing both martial and celestial.\u003cbr\u003e\u003cbr\u003eThis leaf comes from an astrology series made in Mandi around 1810, attributed to the painter Sanju. The series personifies the navagraha — the nine planetary bodies — as court figures drawn from Indian iconographic tradition. Sanju’s handling is assured: palette cool and clear, the tiger given expressiveness against a minimal ground, the whole composition striking a balance between the diagrammatic and the vivid.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 22 in","offer_id":45078379462679,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true},{"title":"22 x 27 in","offer_id":45078379495447,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"26 x 32 in","offer_id":45078379528215,"sku":null,"price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_2.webp?v=1785497986"},{"product_id":"shiva-seated-on-a-throne-in-a-landscape-pahari-miniature-print-c-1755","title":"'Shiva Seated on a Throne in a Landscape' Canvas Cloth Print, c.1755","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eShiva sits on a seat of coiled snakes in a rocky, tree-lined landscape, clad in tiger hide, his posture at once austere and composed. The rendering follows conventions established in Chamba painting — a distinctive Pahari school where Shiva appears characteristically in three-quarter view with a white complexion, his figure given a formal stillness that marks the devotional intent of the image.\u003cbr\u003e\u003cbr\u003eThe mountain setting places him in his proper domain: Kailasha, the high and inhospitable place that is also the still centre of the universe.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 33 in","offer_id":45078398926871,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true},{"title":"28 x 39 in","offer_id":45078398959639,"sku":null,"price":410.0,"currency_code":"USD","in_stock":true},{"title":"32 x 44 in","offer_id":45078398992407,"sku":null,"price":530.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_4.png?v=1781212221"},{"product_id":"krishna-reaching-for-the-moon-pahari-miniature-print-c-1820","title":"'Krishna Reaching for the Moon' Canvas Cloth Print, c.1820","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe image is elemental: the infant Krishna, captivated by the moon's reflection in water, reaches toward it with the uncomplicated desire of a child who does not yet know what is and isn't within reach. It is one of the quiet scenes of Krishna's early life — the ones that sit between miracle and ordinariness, where divinity is present but not announced.\u003cbr\u003e\u003cbr\u003eThis print belongs to the late phase of Pahari miniature production, around 1820, when the hill kingdoms were adapting their visual language to changing patronage and taste. The composition retains the warmth and intimacy characteristic of Pahari depictions of Krishna's childhood.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 27 in","offer_id":45078399123479,"sku":null,"price":182.25,"currency_code":"USD","in_stock":true},{"title":"22 x 33 in","offer_id":45078399156247,"sku":null,"price":272.25,"currency_code":"USD","in_stock":true},{"title":"26 x 39 in","offer_id":45078399189015,"sku":null,"price":380.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_7.png?v=1781215522"},{"product_id":"radha-and-krishna-seated-on-a-balcony-pahari-miniature-print-c-1760","title":"'Radha and Krishna Seated on a Balcony' Canvas Cloth Print, c.1760","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe balcony is a recurring setting in Pahari depictions of Radha and Krishna — a liminal space between the public world of the court and the private world of the lovers, elevated but enclosed, intimate but architecturally framed. Here the two figures are together, which in the visual grammar of the Radha-Krishna narrative is its own form of resolution: the longing, separation, and longing again have a counterweight in these moments of nearness.\u003cbr\u003e\u003cbr\u003eThe print is characteristic of the Pahari school around 1760 — a period of considerable refinement in hill kingdom patronage, the compositions carefully balanced, the palette jewelled, the feeling held at a point between ardour and calm.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 39 in","offer_id":45078399287319,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true},{"title":"28 x 46 in","offer_id":45078399320087,"sku":null,"price":485.0,"currency_code":"USD","in_stock":true},{"title":"32 x 52 in","offer_id":45078399352855,"sku":null,"price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_5_556febc9-d3b3-4299-98b9-45b4f2f025b5.png?v=1781212330"},{"product_id":"utka-nayika-the-heroine-awaiting-her-absent-lover-pahari-miniature-print-c-1760","title":"'Utka Nayika: The Heroine Awaiting Her Absent Lover' Canvas Cloth Print, c.1760","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe composition is built around a single, quietly devastating contrast: everything in the landscape exists in pairs — birds, animals, even the trees appear to double — while the nayika lies alone on a bed of leaves, waiting. Her lover has not come. She has no way of knowing when, or whether, he will.\u003cbr\u003e\u003cbr\u003eThe Utka Nayika — the anxious heroine — is one of a set of classical heroine types that appear across Indian poetry, music, and print. Pahari artists of the 18th century brought particular psychological precision to these figures, constructing their emotional states through landscape and arrangement rather than expression alone. The verdant hillside setting intensifies rather than softens her isolation.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"21 x 30 in","offer_id":45078399418391,"sku":null,"price":236.25,"currency_code":"USD","in_stock":true},{"title":"25 x 36 in","offer_id":45078399451159,"sku":null,"price":337.5,"currency_code":"USD","in_stock":true},{"title":"29 x 41 in","offer_id":45078399483927,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_32_34e87f28-8a7b-49ca-b87e-f3fec52aeabe.png?v=1781216874"},{"product_id":"raja-dilip-singh-of-guler-on-a-dais-pahari-miniature-print-c-1707","title":"'Raja Dilip Singh of Guler on a Dais' Canvas Cloth Print, c.1707","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eDilip Singh of Guler — who reigned from 1695 to 1741 — is shown on a dais, holding a manuscript with alternating red and black lines that may record a sacred text or his devotion to Vishnu, whose mark appears on his forehead. This is the raja who began the practice of commissioning prints and manuscripts for the Guler royal collection, a patronage tradition that would produce some of the finest work in the Pahari canon.\u003cbr\u003e\u003cbr\u003eThe Guler school is considered one of the most accomplished of the Pahari kingdoms — its artists bringing a naturalistic refinement to figures and landscape that set it apart from the more formalised styles of other hill courts.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 27 in","offer_id":45078399582231,"sku":null,"price":182.25,"currency_code":"USD","in_stock":true},{"title":"22 x 33 in","offer_id":45078399614999,"sku":null,"price":272.25,"currency_code":"USD","in_stock":true},{"title":"26 x 39 in","offer_id":45078399647767,"sku":null,"price":380.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_16_7082b9a6-e10c-4bda-a95b-7b939f5cb63e.png?v=1781216084"},{"product_id":"the-lovelorn-heroine-from-a-sat-sai-of-bihari-pahari-miniature-print-c-1785","title":"'The Lovelorn Heroine, from a Sat Sai of Bihari' Canvas Cloth Print, c.1785","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe heroine sits against a tree in full flower, her dress the colour of its blossoms, while other girls pass by in conversation — indifferent or unaware. Her lover is absent. No bees come to the tree. The poem this image illustrates comes from the Sat Sai, a 17th-century collection of dohas by the poet Bihari, written for Raja Jai Singh I of Amber. The Sat Sai turns on the beauty of women and the states of longing, separation, and waiting — its language dense, its images built from natural analogies.\u003cbr\u003e\u003cbr\u003ePahari artists of the late 18th century found this material particularly suited to their visual language. The correspondence between inner state and outer world — woman and blossom, absence and stillness — was something they rendered with a precision that goes beyond illustration into its own form of reading.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 24 in","offer_id":45078399844375,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"22 x 29 in","offer_id":45078399877143,"sku":null,"price":240.0,"currency_code":"USD","in_stock":true},{"title":"26 x 35 in","offer_id":45078399909911,"sku":null,"price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_30.png?v=1781216720"},{"product_id":"krishna-playing-with-the-gopis-in-the-yamuna-pahari-miniature-print-c-1770","title":"'Krishna Playing with the Gopis in the Yamuna' Canvas Cloth Print, c.1770","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eAfter the raising of Mount Govardhan, Krishna turns to the world of play — here, to the Yamuna River, where he and three milkmaids enjoy the water under a scorching sun. Their clothes are stacked neatly on a nearby tree. One woman turns her face away as Krishna splashes her. The moment is light and intimate, balanced between the devotional and the earthly.\u003cbr\u003e\u003cbr\u003eThe scene belongs to the beloved cluster of Krishna's Vrindavan stories — the episodes of childhood and youth that Pahari painters returned to again and again. Working around 1770, the artist renders the Yamuna with characteristic attention: the water active, the figures set against it with the careful placement of a school that understood how to make a small surface hold.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"21 x 27 in","offer_id":45078400073751,"sku":null,"price":212.0,"currency_code":"USD","in_stock":true},{"title":"25 x 32 in","offer_id":45078400106519,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true},{"title":"29 x 37 in","offer_id":45078400139287,"sku":null,"price":402.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_18.png?v=1781216244"},{"product_id":"princess-smoking-a-hookah-pahari-miniature-print-c-1760","title":"'Princess Smoking a Hookah' Canvas Cloth Print, c.1760","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA woman reclines against a large bolster at a window, engrossed in her hookah — its body wrought in gold and porcelain, its smoke a signal of stillness, of a moment claimed entirely for itself. She is dressed in a translucent lilac blouse and gold trousers, her jewels comprising pearls, gold, and emeralds. The original work used beetle-wing carapaces for the emerald tones — an embedded material luxury that this print carries forward as colour.\u003cbr\u003e\u003cbr\u003eThis is a portrait of interior court life: unhurried, privately observed, attentive to surface and sensation. Painted around 1760 in the Pahari kingdoms, it may have been intended as a gift to a king — a print offered as itself a form of refined attention.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 30 in","offer_id":45078400270359,"sku":null,"price":202.5,"currency_code":"USD","in_stock":true},{"title":"22 x 37 in","offer_id":45078400303127,"sku":null,"price":305.25,"currency_code":"USD","in_stock":true},{"title":"26 x 43 in","offer_id":45078400335895,"sku":null,"price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_15.png?v=1781216017"},{"product_id":"vasakasajja-nayika-from-the-nurpur-rasikapriya-pahari-miniature-print-c-1750","title":"'Vasakasajja Nayika, from the Nurpur Rasikapriya' Canvas Cloth Print, c.1750","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe Vasakasajja Nayika - the heroine who makes herself ready - is shown in the act of preparation: adorning herself, arranging her surroundings, in anticipation of her lover's arrival. A pair of deer are placed in the composition to sharpen the contrast of her solitude, a visual grammar typical of Pahari nayika imagery where the natural world mirrors and accentuates the emotional state of the figure.\u003cbr\u003e\u003cbr\u003eThis leaf comes from the Nurpur Rasikapriya - an illustrated version of Keshav Das's 16th-century treatise on the poetics of love, produced at the Nurpur court around 1750. The Rasikapriya classified heroines and heroes by their emotional dispositions, giving Pahari painters a structured vocabulary for rendering interior states through pose, setting, and symbolic detail.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"21 x 30 in","offer_id":45078400434199,"sku":null,"price":236.25,"currency_code":"USD","in_stock":true},{"title":"25 x 36 in","offer_id":45078400466967,"sku":null,"price":337.5,"currency_code":"USD","in_stock":true},{"title":"29 x 41 in","offer_id":45078400499735,"sku":null,"price":445.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_9.png?v=1784661770"},{"product_id":"devagandhari-ragini-women-worshipping-a-shiva-linga-pahari-miniature-print-c-1700","title":"'Devagandhari Ragini: Women Worshipping a Shiva Linga' Canvas Cloth Print, c.1700","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eRemoved from any temple architecture, the devotional act becomes the whole scene: women gathered in concentrated worship before a Shiva linga, their attention undivided, the intensity of their focus the subject as much as the object. The composition belongs to the Devagandhari Ragini — a musical mode personified as a devotional act — from a Ragamala series produced in Chamba around 1700.\u003cbr\u003e\u003cbr\u003eThe Ragamala is a genre of Indian print that associates musical modes with specific figures, seasons, and emotional states — each raga given a visual body. In Chamba, the iconography of Devagandhari is consistent across several series, reflecting a stable visual language for this mode. This leaf carries that convention with a directness that reads as both document and devotion.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"21 x 24 in","offer_id":45078400598039,"sku":null,"price":190.0,"currency_code":"USD","in_stock":true},{"title":"25 x 29 in","offer_id":45078400630807,"sku":null,"price":272.0,"currency_code":"USD","in_stock":true},{"title":"29 x 33 in","offer_id":45078400663575,"sku":null,"price":360.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_26.png?v=1781216583"},{"product_id":"hindola-raga-pahari-miniature-print-c-1795","title":"'Hindola Raga' Canvas Cloth Print, c.1795","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eSpring arrives, and Krishna seats himself on a swing with Radha. Around them, the cowherd boys and milkmaids play music, dance, and keep the swing in motion — a scene of seasonal celebration that the Hindola Raga makes its own. In Sanskrit, hindola means swing, and the raga carries with it the particular quality of young love in springtime: warm, suspended between joy and longing.\u003cbr\u003e\u003cbr\u003eThis print belonged to a Ragamala series — a genre in which musical modes are personified as scenes, figures, or emotional states. Produced in the Pahari kingdoms around 1795, the image brings together the devotional world of Radha and Krishna with the sensory world of music and season, the swing at the centre of both.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 24 in","offer_id":45078400892951,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"22 x 29 in","offer_id":45078400925719,"sku":null,"price":240.0,"currency_code":"USD","in_stock":true},{"title":"26 x 35 in","offer_id":45078400958487,"sku":null,"price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_23.png?v=1781216483"},{"product_id":"the-morning-toilette-pahari-miniature-print-c-1815","title":"'The Morning Toilette' Canvas Cloth Print, c.1815","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA lady stands on a wooden stool at her morning toilette, raising an elbow to adjust her earrings while a handmaiden holds the mirror steady. Three other attendants arrange themselves around her, their tasks distributed and unhurried. The scene is composed with the specific attentiveness Pahari artists brought to court interiors — the ewers and water pots in the background noted, the handmaiden's costume deliberately recalling older Chamba print conventions, a thread of visual memory woven into a later work.\u003cbr\u003e\u003cbr\u003eThis is an interior without drama: nothing is happening except the ordinary rituals of preparation. That ordinariness is the point. The Pahari tradition returned to scenes of feminine leisure with a consistency that suggests a genuine visual investment in the texture of private life.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 36 in","offer_id":45078401024023,"sku":null,"price":270.0,"currency_code":"USD","in_stock":true},{"title":"24 x 43 in","offer_id":45078401056791,"sku":null,"price":390.0,"currency_code":"USD","in_stock":true},{"title":"28 x 50 in","offer_id":45078401089559,"sku":null,"price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_11.png?v=1781215794"},{"product_id":"palace-women-enjoying-music-by-a-cascade-pahari-miniature-print-c-1780","title":"'Palace Women Enjoying Music by a Cascade' Canvas Cloth Print, c.1780","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA woman sits by an artificial cascade within a palace, one hand raised in appreciation of the music being performed by her attendants. Another washes her foot. The cascade runs beside them — decorative, controlled, a palace garden feature that adds cool sound to an already considered scene.\u003cbr\u003e\u003cbr\u003eThe composition is adapted from a Mughal prototype, a reminder that Pahari print did not develop in isolation but in continuous dialogue with the Mughal visual tradition — borrowing arrangements and subjects, then rendering them in the distinct Pahari register: warmer in palette, more intimate in scale, less concerned with formal grandeur than with the quality of a specific moment.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 30 in","offer_id":45078401286167,"sku":null,"price":202.5,"currency_code":"USD","in_stock":true},{"title":"22 x 37 in","offer_id":45078401318935,"sku":null,"price":305.25,"currency_code":"USD","in_stock":true},{"title":"26 x 43 in","offer_id":45078401351703,"sku":null,"price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print-upscaled_13.png?v=1781215909"},{"product_id":"augury-of-the-crow-vasakasajja-nayika-pahari-miniature-print-c-1800","title":"'Augury of the Crow: Vasakasajja Nayika' Canvas Cloth Print, c.1800","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe heroine stands in her doorway. Her husband has not returned. In the distance, monsoon clouds are building. In the garden, a pomegranate tree carries ripe fruit — full, red, suggestive of abundance — but a crow has settled there, and the crow's call is an unlucky omen. The signs pile up against her, each one legible to a viewer schooled in the symbolic grammar of Indian poetry and print.\u003cbr\u003e\u003cbr\u003eThe Vasakasajja Nayika — the heroine who adorns herself in readiness — is here caught in a different register: the readiness undone, the mood tipping from anticipation into anxiety. Pahari painters brought a precise compositional intelligence to these figures, constructing emotional states through landscape, season, and symbolic object with a subtlety that rewards sustained attention.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 24 in","offer_id":45078401482775,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"22 x 29 in","offer_id":45078401515543,"sku":null,"price":240.0,"currency_code":"USD","in_stock":true},{"title":"26 x 35 in","offer_id":45078401548311,"sku":null,"price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_19.png?v=1781216320"},{"product_id":"heroine-with-attendant-and-a-pair-of-deer-pahari-miniature-print-c-1715","title":"'Heroine with Attendant and a Pair of Deer' Canvas Cloth Print, c.1715","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe heroine's longing for her absent lover is so intense that it draws a deer and doe — otherwise shy - to her side. She fondles one of the deer, dressed in a transparent muslin shawl; at the right, an attendant holds a stringed instrument, placing the scene within a musical register. The gazes are intent, the heroine's head turned at the distinctive angle characteristic of early Pahari figure conventions - an impossible turn that reads, entirely convincingly, as distraction and divided attention.\u003cbr\u003e\u003cbr\u003eThis is an early Pahari work, dated around 1715, before the schools had fully consolidated their individual styles. The elongated proportions and the use of the deer as a measure of the heroine's emotional state - their presence a sign of the extraordinary condition of her feeling - are markers of a visual tradition that was still finding its terms.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 35 in","offer_id":45078401613847,"sku":null,"price":262.5,"currency_code":"USD","in_stock":true},{"title":"24 x 42 in","offer_id":45078401646615,"sku":null,"price":380.0,"currency_code":"USD","in_stock":true},{"title":"28 x 49 in","offer_id":45078401679383,"sku":null,"price":515.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_-_upscaled_20.png?v=1781216185"},{"product_id":"celebrations-of-krishnas-birth-canvas-cloth-print-c-1725","title":"'Celebrations of Krishna's Birth' Canvas Cloth Print, c.1725","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eIn the village of Vraj, musicians play and well-wishers gather to celebrate a birth. Against a bold golden ground, figures in strict profile carry instruments and offer tufts of grass — traditional tokens of blessing. Krishna's adoptive father Nanda, headmaster of the village, receives congratulations while a soldier salutes at his side. The infant has been brought here in secret, away from the evil king Kamsa, whose prophecy foretold his own death at Krishna's hands.\u003c\/p\u003e\n\u003cp\u003eThe scene is drawn from the Bhagavata Purana, the foundational Sanskrit text chronicling Krishna's earthly life. The Mankot court, in the Himalayan foothills of northwestern India, rendered the moment with characteristic boldness: saturated ground colour, figures outlined with graphic precision, and an atmosphere of communal joy.\u003c\/p\u003e\n\u003cp\u003eMankot was one of several distinct hill courts of the Pahari region, each developing its own visual character across the 17th and 18th centuries. The Mankot school's intense palette and directness of figure distinguish it clearly from the more lyrical approach of the Guler or Kangra schools.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 27 in","offer_id":45151592808471,"sku":null,"price":182.25,"currency_code":"USD","in_stock":true},{"title":"22 x 33 in","offer_id":45151592841239,"sku":null,"price":272.25,"currency_code":"USD","in_stock":true},{"title":"26 x 39 in","offer_id":45151592874007,"sku":null,"price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/ump_f5aa5b60-eaa8-4726-9071-eda08ad03da9.jpg?v=1779307173"},{"product_id":"krishna-and-gopis-canvas-cloth-print-c-1850","title":"'Krishna and Gopis' Canvas Cloth Print, c.1850","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eKrishna stands at the centre of a group of gopis, the devoted milkmaids of Vraj whose love for him is one of the most celebrated subjects in Indian devotional art. Their adoration, in the theological tradition of Bhakti, is understood as an image of the human soul turned wholly toward the divine.\u003c\/p\u003e\n\u003cp\u003eThe print comes from the Jaipur school of Rajasthan, which developed a distinctive style of Krishna devotional imagery through the 18th and 19th centuries. The Jaipur ateliers worked for court patrons and maintained a tradition of rich colour and formal composition that retained its clarity well into the later period.\u003c\/p\u003e\n\u003cp\u003eCompact in format, the work places its figures close to the picture plane with little depth — a characteristic convention of Rajasthani print that emphasises the devotional encounter over spatial naturalism.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 24 in","offer_id":45151593267223,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true},{"title":"24 x 29 in","offer_id":45151593299991,"sku":null,"price":260.0,"currency_code":"USD","in_stock":true},{"title":"28 x 34 in","offer_id":45151593332759,"sku":null,"price":360.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Krishna_and_Gopis.png?v=1781456170"},{"product_id":"gujari-ragini-krishna-with-gopis-playing-the-flute-canvas-cloth-print-c-1750","title":"'Gujari Ragini — Krishna with Gopis Playing the Flute' Canvas Cloth Print, c.1750","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eKrishna stands beneath a flowering tree, playing the flute to the gopis who gather around him. The scene represents Gujari Ragini, one of the musical modes depicted in the Ragamala genre — a tradition that mapped the emotional world of Indian classical music onto print. Each raga was associated with a particular season, time of day, and emotional atmosphere, and the painter's task was to make that feeling visible.\u003c\/p\u003e\n\u003cp\u003eThe work comes from Aurangabad in the Deccan, a centre that absorbed influence from the Mughal court to the north and developed its own confident variant of the idiom. The Deccan style is known for its jewel-toned colour and a certain decorative precision in its rendering of costumes, jewellery, and plant life.\u003c\/p\u003e\n\u003cp\u003eKrishna's paduka sandals are a distinctive iconographic detail. The gopis' arrangement and the flowering setting anchor the scene firmly within the visual grammar of Ragamala print— a genre designed to be read as much as it was to be looked at.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 30 in","offer_id":45151596838935,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true},{"title":"22 x 37 in","offer_id":45151596871703,"sku":null,"price":305.25,"currency_code":"USD","in_stock":true},{"title":"26 x 43 in","offer_id":45151596904471,"sku":null,"price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/GujariRagini_KrishnawithGopisPlayingtheFlute_CanvasClothPrint_c.1750.png?v=1781638417"},{"product_id":"radha-and-krishna-in-the-rain-canvas-cloth-print-c-1780","title":"'Radha and Krishna in the Rain' Canvas Cloth Print, c.1780","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eRadha and Krishna stand together in the rain, sheltered by a dense grove as dark monsoon clouds gather above them. The rainy season holds particular significance in Indian devotional poetry and print: it is the time of reunion, longing, and the intensity of feeling that comes with the first rains. The two figures, close but composed, embody that charged atmosphere.\u003c\/p\u003e\n\u003cp\u003eThe Bundi school of Rajasthan developed a rich vocabulary for depicting the natural world, particularly the dramatic landscapes of storm, rain, and night. Its characteristic features include lush curling foliage, attentive animal figures, and a palette that deepened with intensity when depicting monsoon scenes.\u003c\/p\u003e\n\u003cp\u003eThis print likely accompanied a text from the tradition of Rajput devotional poetry — the Rasikapriya, the Satsai, or one of the many raga series that mapped emotional states onto scenes of love. 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The image draws on the deep tradition of depicting Krishna's childhood and his bond with his foster mother Yasoda, while also looking forward to his adult relationship with Radha.\u003c\/p\u003e\n\u003cp\u003eThe print is from the Kalighat school of Kolkata, a tradition that emerged in the early 19th century around the great pilgrimage site of Kalighat. Kalighat painters worked in a rapidly evolving urban context, and their style reflects that energy: broad, confident brushwork, simplified forms, and bold outlines that gave the figures an immediacy suited to a wide audience.\u003c\/p\u003e\n\u003cp\u003eThe Kalighat tradition is distinctive within Indian print for its directness and its willingness to compress narrative. Where court painters elaborated scenes with architectural detail and landscape, Kalighat painters cleared the field and placed their subjects front and centre.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 29 in","offer_id":45151597658135,"sku":null,"price":261.0,"currency_code":"USD","in_stock":true},{"title":"28 x 34 in","offer_id":45151597690903,"sku":null,"price":360.0,"currency_code":"USD","in_stock":true},{"title":"32 x 38 in","offer_id":45151597723671,"sku":null,"price":456.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/ump_6aaa1e9b-b865-4478-ac0a-7e4de21bbff4.jpg?v=1779465018"},{"product_id":"krishna-awaiting-radha-canvas-cloth-print-c-1750","title":"'Krishna Awaiting Radha' Canvas Cloth Print, c.1750","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eKrishna reclines on an ornate bed, looking ahead with quiet expectation. Two attendants flank him — one with a fan, the other with a peacock-feather whisk — but he pays them no attention. His gaze is elsewhere: towards Radha, whose arrival he awaits. The moment of waiting, in Indian devotional poetry, is charged with meaning. God's longing for his devotee mirrors the devotee's longing for God.\u003c\/p\u003e\n\u003cp\u003eThe scene belongs to the Pahari courts of northern India, which produced a body of Krishna devotional print of great lyrical intensity across the 17th and 18th centuries. The Pahari style is known for its sensitive rendering of interior states: the tilt of a figure, the quality of light, the arrangement of fabric all carry emotional weight.\u003c\/p\u003e\n\u003cp\u003eThe composition places Krishna at the centre against a canopied architectural setting, with the attendants' presence emphasising, by contrast, how entirely he is absorbed in something beyond the room.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 28 in","offer_id":45151598149655,"sku":null,"price":210.0,"currency_code":"USD","in_stock":true},{"title":"24 x 34 in","offer_id":45151598182423,"sku":null,"price":306.0,"currency_code":"USD","in_stock":true},{"title":"28 x 39 in","offer_id":45151598215191,"sku":null,"price":410.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/KrishnaAwaitingRadha.png?v=1781458393"},{"product_id":"markandeya-viewing-krishna-in-the-cosmic-ocean-canvas-cloth-print-c-1680","title":"'Markandeya Viewing Krishna in the Cosmic Ocean' Canvas Cloth Print, c.1680","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe sage Markandeya moves through the dark cosmic ocean, the world dissolved around him. He had been granted immortality, but that gift becomes its own burden: even after universal dissolution, he must carry on alone through the void until the next cycle begins. At one point in the darkness he finds the infant Krishna resting on a leaf of the banyan tree, quietly absorbed in sucking his own toe.\u003c\/p\u003e\n\u003cp\u003eThe artist from the Basohli court has rendered the cosmic ocean as a web of concentric abstract shapes — a bold formal decision that gives the scene an otherworldly, geometric quality. Basohli print, among the earliest and most intense of the Pahari schools, is known for its raw colour, expressive drawing, and willingness to push formal conventions in the service of devotional meaning.\u003c\/p\u003e\n\u003cp\u003eThe scene carries precise theological weight: when Markandeya looks into Krishna's mouth, he sees the entire universe as it was and as it will be. The infant holds the cosmos. Creation ends in the child and begins again from him.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 30 in","offer_id":45151598477335,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"24 x 36 in","offer_id":45151598510103,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true},{"title":"28 x 42 in","offer_id":45151598542871,"sku":null,"price":440.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/MarkandeyaViewingKrishnaintheCosmicOcean.png?v=1782415495"},{"product_id":"krishna-asks-for-sweets-canvas-cloth-print-c-1705","title":"'Krishna Asks for Sweets' Canvas Cloth Print, c.1705","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eIn the lower right corner of the composition, the blue-skinned boy Krishna reaches toward his foster mother Yashoda, asking for more food. His argument, rendered in the verse at the top of the page, is that he needs extra nourishment to accomplish all the exploits depicted across the rest of the image: herding cattle, killing demons, defeating wrestlers, and finally sitting crowned king of Mathura in the upper right. The print is at once domestic scene, cosmological argument, and illustrated poem.\u003c\/p\u003e\n\u003cp\u003eThe page comes from a Sursagar, the vast devotional poem composed by Surdas, the blind north Indian poet of the 15th and 16th centuries. His verses on Krishna's childhood are among the most beloved in the Hindi devotional tradition, and they were frequently illustrated by court ateliers across Rajasthan. In the lower left of this page, the blind poet sits within his hut — author and witness both.\u003c\/p\u003e\n\u003cp\u003eThe Mewar school of Rajasthan, one of the earliest and most prolific of the Rajput print traditions, developed a style of illustrated manuscripts that placed multiple scenes on a single page, using architectural frames and registers to hold the narrative together. 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Indra had been enraged when Krishna persuaded his community to redirect their annual offerings away from the deity and toward the mountain itself. The storm was his response. The lifting of the mountain was Krishna's answer — effortless, complete, and humiliating to the god who had sent the rain.\u003c\/p\u003e\n\u003cp\u003eThe scene is drawn from the Bhagavata Purana and comes from a rare illustrated Persian translation of that text — an object that speaks to the cross-cultural exchange of the Mughal period, when Sanskrit devotional texts were translated, studied, and painted for courtly audiences across faiths and languages.\u003c\/p\u003e\n\u003cp\u003eThe print is from the Deccan region of southern India, and carries the visual hallmarks of that tradition: a vertical composition, elaborate registers, and a palette that combines Mughal clarity with Deccani intensity. 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The central bloom — a scarlet poppy — is surrounded by smaller flowers, leaves, and birds, the whole composition balanced and precisely rendered.\u003c\/p\u003e\n\u003cp\u003eThe tradition of floral still-life entered Indian print under the Mughal emperor Jahangir in the early 17th century. Jahangir was a keen naturalist who commissioned detailed studies of animals and plants, and this mode of close observation spread to the Rajput courts, where artists adapted it to their own conventions. At the Bundi court in Rajasthan, the European import was reshaped into something unmistakably regional.\u003c\/p\u003e\n\u003cp\u003eThe Bundi school is known for its lush, inventive treatment of plant life, and this bouquet shows that quality at its most refined: the flowers rendered with a loving specificity, the whole arrangement alive with the pleasure of looking.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"18 x 24 in","offer_id":45151599198231,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"22 x 29 in","offer_id":45151599230999,"sku":null,"price":240.0,"currency_code":"USD","in_stock":true},{"title":"26 x 35 in","offer_id":45151599263767,"sku":null,"price":341.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Bouquet_of_Flowers_Emerging_from_the_Grass.png?v=1781636357"},{"product_id":"dog-with-pups-canvas-cloth-print-c-1780","title":"'Dog with Pups' Canvas Cloth Print, c.1780","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA dog lies quietly as a litter of newborn pups cluster against her, too young yet to open their eyes. The composition is low and horizontal, grounded and still, with the attention focused entirely on the tender specificity of the scene. It is a work about careful observation: the painter has looked closely at these animals and recorded what they saw.\u003c\/p\u003e\n\u003cp\u003eDogs were kept and prized across the Mughal court and its Rajput successors. The emperor Akbar imported hunting dogs from distant lands, and Jahangir kept one keeper for every two hounds. The tradition of observing and print animals — from elephants and lions to more domestic creatures — was a consistent feature of court culture, part of a broader interest in the natural world.\u003c\/p\u003e\n\u003cp\u003eThe Sawar school, part of the broader Ajmer tradition in Rajasthan, produced a range of animal studies in this period. 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A carpet draped over the railing marks the site; his halo signals divine grace. He appears aged and settled, holding a string of prayer beads in keeping with the devout religiosity that defined his long reign.\u003c\/p\u003e\n\u003cp\u003eThis small portrait would have been gifted by the emperor to a loyal courtier or supporter. Imperial gifting portraits were a central instrument of Mughal statecraft: to receive the emperor's likeness was to receive his favour, and the act of giving created bonds of obligation and devotion across the court network.\u003c\/p\u003e\n\u003cp\u003eAurangzeb was the last of the great Mughal emperors, ruling from 1658 to 1707. His court continued the tradition of portraiture with precision and restraint. The intimacy of the original — barely 3 inches tall — is part of its purpose: something precious, held close.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 30 in","offer_id":45151602343959,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"24 x 36 in","offer_id":45151602376727,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true},{"title":"28 x 42 in","offer_id":45151602409495,"sku":null,"price":440.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Portrait_of_Emperor_Alamgir.png?v=1781457257"},{"product_id":"a-floral-fantasy-of-animals-and-birds-waq-waq-canvas-cloth-print-c-1610","title":"'A Floral Fantasy of Animals and Birds (Waq-waq)' Canvas Cloth Print, c.1610","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA single plant fills the composition, bearing creatures instead of fruit. Dragon, ibex, boar, bird, elephant: real and mythical animals ripen on the vine, while the vine folds back on itself, consuming what it produces. The elephant at the base is about to eat the main branch from which it itself grows; the ibex at the lower right is already cutting it with its teeth. The system is complete, self-devouring, circular.\u003c\/p\u003e\n\u003cp\u003eThe image draws on the Persian tradition of the Waq-waq tree, a mythical island populated by half-plant, half-animal creatures described in medieval Islamic texts. At the Mughal court, this tradition was absorbed and transformed into a genre of painted wit designed to delight connoisseurs who could recognise the references and discover the visual puns layered throughout the composition.\u003c\/p\u003e\n\u003cp\u003eThis page would have belonged to a royal album — the Mughal practice of collecting fine print, calligraphy, and drawings into bound volumes for private enjoyment. The pleasure it offered was intellectual as much as visual: a garden of transformations for a viewer who knew how to read it.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 33 in","offer_id":45151602540567,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true},{"title":"28 x 38 in","offer_id":45151602573335,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true},{"title":"32 x 44 in","offer_id":45151602606103,"sku":null,"price":530.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/FloralFantasyofAnimalsandBirds.png?v=1781460006"},{"product_id":"nur-jahan-holding-a-portrait-of-emperor-jahangir-canvas-cloth-print-c-1627","title":"'Nur Jahan Holding a Portrait of Emperor Jahangir' Canvas Cloth Print, c.1627","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eNur Jahan stands at the jharokha window — the imperial balcony of formal presence — holding a miniature portrait of her husband Jahangir. He appears behind the window carpet, aged, his hair grey. She stands in her idealised youth; she would have been fifty at the time of his death. The print holds that gap deliberately, the gap between power and time.\u003c\/p\u003e\n\u003cp\u003eNur Jahan was the most powerful woman in the history of the Mughal empire. She effectively governed the state during Jahangir's final years and had every reason to think carefully about what came next. This print is understood as a political act as much as a devotional one — modelled perhaps on images of Jahangir himself holding a portrait of his own father, asserting legitimacy through the act of holding.\u003c\/p\u003e\n\u003cp\u003eThe attribution to Bishandas, one of the great portraitists of the Mughal court, gives the work particular weight. His portraits are known for psychological precision and sensitivity to interior states. In this print, that precision is directed at a moment of studied composure in a court on the edge of succession.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 33 in","offer_id":45151602704407,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true},{"title":"24 x 40 in","offer_id":45151602737175,"sku":null,"price":360.0,"currency_code":"USD","in_stock":true},{"title":"28 x 47 in","offer_id":45151602769943,"sku":null,"price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/NurJahanHoldingaPortraitofEmperorJahangir.png?v=1781637133"},{"product_id":"the-dream-of-zulaykha-canvas-cloth-print-c-1670","title":"'The Dream of Zulaykha' Canvas Cloth Print, c.1670","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eZulaykha lies asleep on a tiled terrace, surrounded by fine cushions and dressed in luminous fabric. In her dream, the figure of Joseph appears above her, illuminated by a shaft of divine light cast down by angels who emerge from heavy night clouds. He is dressed as a Mughal prince. She is the wife of a wealthy Egyptian. The two of them will never be together — which is precisely the point.\u003c\/p\u003e\n\u003cp\u003eThe scene comes from Jami's Yusuf va Zulaykha, the great Persian poem of the 15th century that retells the Joseph story as a mystical romance. In Jami's telling, Zulaykha's consuming love for Joseph is an allegory for the soul's relationship with God. The beloved is always at a distance. The longing is the path.\u003c\/p\u003e\n\u003cp\u003eThe print comes from the Amber Album, a Mughal manuscript assembled for a royal collection in the 17th century. The setting is characteristically Mughal: a tiled terrace, an architectural frame, a night sky articulated with dark clouds and divine light. Joseph appears dressed in the costume of the very court for which the print was made.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 31 in","offer_id":45151602802711,"sku":null,"price":280.0,"currency_code":"USD","in_stock":true},{"title":"28 x 36 in","offer_id":45151602835479,"sku":null,"price":380.0,"currency_code":"USD","in_stock":true},{"title":"32 x 42 in","offer_id":45151602868247,"sku":null,"price":505.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/TheDreamofZulaykha_CanvasClothPrint_c.1670.png?v=1781637594"},{"product_id":"shamsa-with-portrait-of-aurangzeb-canvas-cloth-print-c-1645","title":"'Shamsa with Portrait of Aurangzeb' Canvas Cloth Print, c.1645","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eThe sunburst — shamsa — closes the album: a dense field of gold and lapis lazuli, worked with floral and geometric precision by hand, its light radiating outward in concentric rings. The gold was tooled with pinpricks to catch more light. At the centre, where a plain disc once stood as an emblem of divine sanction for Shah Jahan's rule, a small portrait of Aurangzeb was later inserted. He holds prayer beads. His father is now under house arrest.\u003c\/p\u003e\n\u003cp\u003eThe illumination was made between 1640 and 1655, probably by Bichitr, one of the most accomplished painters of Shah Jahan's court. The original design embodied the Mughal concept of the king as the earthly reflection of divine light. The shamsa was the traditional closing ornament of imperial albums, and its visual language was mathematical: geometric perfection as an image of the divine order.\u003c\/p\u003e\n\u003cp\u003eThe addition of Aurangzeb's portrait after 1658 rewrites the page's meaning. What was a symbol of his father's legitimacy became, through a single small intervention, a claim to his own. The album passed into the imperial library under new ownership. The light remained; the centre changed.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 x 35 in","offer_id":45151602999319,"sku":null,"price":315.0,"currency_code":"USD","in_stock":true},{"title":"28 x 41 in","offer_id":45151603032087,"sku":null,"price":430.0,"currency_code":"USD","in_stock":true},{"title":"32 x 47 in","offer_id":45151603064855,"sku":null,"price":565.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/ShamsawithPortraitofAurangzeb.png?v=1781457755"},{"product_id":"princess-and-attendant-in-a-trompe-loeil-window-canvas-cloth-print-c-1765","title":"'Princess and Attendant in a Trompe l'Oeil Window' Canvas Cloth Print, c.1765","description":"\u003ch5\u003eProvenance\u003c\/h5\u003e\n\u003cp\u003eA golden shade rolls up to reveal a princess seated on a terrace, her attendant beside her, the wooded grounds of the palace extending behind them. The composition inverts a familiar convention: where the jharokha window usually places the viewer outside looking in at a royal figure, here the viewer stands inside the palace, looking out at the women on the terrace beyond. The carpet draped over the sill echoes the imperial balcony, but the direction of looking has turned.\u003c\/p\u003e\n\u003cp\u003eThe print is attributed to Aqil Khan, active in the mid-18th century, and comes from the court at Lucknow — one of the last great centres of Mughal court culture in northern India. By the mid-18th century the central Mughal empire had fragmented, and its successor courts at Lucknow and elsewhere became centres of refined print that extended the Mughal idiom in new directions.\u003c\/p\u003e\n\u003cp\u003eThe taste for flowering plants on a plain ground, visible in the carpet and textiles, was a fashion introduced at the Mughal court in the 17th century and derived from European botanical studies brought to India by merchants and diplomats. By the time this print was made, that influence had been entirely absorbed and transformed into something unmistakably Indian.\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"20 x 33 in","offer_id":45151603097623,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true},{"title":"24 x 40 in","offer_id":45151603130391,"sku":null,"price":360.0,"currency_code":"USD","in_stock":true},{"title":"28 x 47 in","offer_id":45151603163159,"sku":null,"price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Princess_and_Attendant_in_a_Trompe_l_Oeil_Window.png?v=1781637204"},{"product_id":"akbar-supervising-the-capture-of-wild-elephants-at-malwa-canvas-cloth-print-c-1602","title":"Akbar Supervising the Capture of Wild Elephants at Malwa Canvas Cloth Print, c.1602","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis dynamic court print illustrates an episode from the reign of the Mughal emperor Akbar, depicting the royal capture of wild elephants in Malwa in 1564. Akbar appears mounted on horseback, overseeing the operation as trained elephants and handlers pursue a herd through an expansive landscape. The scene was originally created as part of the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAkbarnama\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (Book of Akbar), the official chronicle commissioned to record the emperor’s achievements and establish a visual history of his rule.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eProduced shortly before Akbar’s death, the print belongs to the mature phase of Mughal manuscript print , when imperial ateliers combined meticulous observation with increasingly sophisticated narrative compositions. The artists attributed to the work—including Farukh Chela, Govardhan, and Dhanraj—were among the accomplished painters associated with the Mughal court, where large collaborative workshops brought together masters of portraiture, landscape, and decorative detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe composition also reflects the cosmopolitan nature of Akbar’s empire. European prints circulating within the imperial collection influenced the rendering of distant cityscapes, rolling hills, and atmospheric depth, demonstrating how Mughal artists absorbed and transformed foreign visual ideas into a distinctly Indian courtly style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Brahm","offers":[{"title":"12 x 18 inches","offer_id":45244456632343,"sku":null,"price":81.0,"currency_code":"USD","in_stock":true},{"title":"16 x 24 inches","offer_id":45244456665111,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"24 x 36 inches","offer_id":45244456697879,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Akbar_Supervising_the_Capture_of_Wild_Elephants_at_Malwa_Canvas_Cloth_Print_c.1602.png?v=1786046607"},{"product_id":"a-pair-of-brahminy-ducks-canvas-cloth-print-c-1595","title":"A Pair of Brahminy Ducks Canvas Cloth Print, c.1595","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis finely observed study of a pair of Brahminy ducks, also known as ruddy shelducks, exemplifies the Mughal court’s fascination with the natural world. Rendered with remarkable precision, the birds are depicted with their characteristic orange plumage, white wing markings, long legs, and compact bills, reflecting the growing interest in empirical observation that distinguished Mughal print during the late sixteenth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUnder the patronage of Emperor Akbar, artists increasingly turned their attention to flora and fauna, creating detailed studies that combined scientific accuracy with aesthetic refinement. Such works were often based on direct observation, and the extraordinary realism of this print suggests that the artist closely studied living birds, likely among the waterfowl maintained within the gardens and palace grounds of the Mughal court.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough modest in scale, the composition demonstrates the sophistication of Mughal natural history print, a genre that would later flourish under Jahangir. The restrained presentation allows the viewer to focus entirely on the elegance and individuality of the birds, revealing the court atelier’s mastery of line, colour, and observation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"12 x 18 inches","offer_id":45244454371351,"sku":null,"price":81.0,"currency_code":"USD","in_stock":true},{"title":"20 x 30 inches","offer_id":45244454404119,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"24 x 26 inches","offer_id":45244454436887,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_3.svg?v=1781627365"},{"product_id":"oval-portrait-of-a-woman-in-a-chaghtai-hat-canvas-cloth-print-c-1740-50","title":"Oval Portrait of a Woman in a Chaghtai Hat Canvas Cloth Print, c.1740–50","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis refined Mughal portrait depicts a noblewoman adorned in a richly ornamented Chaghtai hat, a distinctive form of headwear associated with the Central Asian origins of the Mughal dynasty. The tall, flat-topped hat derives from the traditions of the Chaghtai peoples of Central Asia, descendants of the realm once governed by Chaghtai Khan, son of Genghis Khan. By the eighteenth century, such attire had become a visual marker of aristocratic identity and imperial heritage within Mughal court culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePresented within an elegant oval format, the portrait reflects a genre that emerged from the imperial atelier's fascination with intimacy, refinement, and individual likeness. Earlier Mughal portrait medallions were typically reserved for emperors and princes; over time, the format expanded to include distinguished women of the court, acknowledging their presence within the sophisticated social and cultural life of the empire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sitter is shown holding a jade wine cup, an object associated with luxury, connoisseurship, and courtly leisure. Her garments, edged with finely rendered decorative borders, further emphasize the Mughal taste for exquisite textiles and ornament. Delicate brushwork, gold detailing, and a restrained composition combine to create an image that embodies the elegance and cosmopolitan character of the late Mughal world.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"12 x 16 inches","offer_id":45244458762263,"sku":null,"price":72.0,"currency_code":"USD","in_stock":true},{"title":"18 x 24 inches","offer_id":45244458795031,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"24 x 32 inches","offer_id":45244458827799,"sku":null,"price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_6.svg?v=1781628280"},{"product_id":"a-mughal-prince-perhaps-danyal-holding-a-sprig-of-flowers-canvas-cloth-print-c-1580-90","title":"A Mughal Prince, Perhaps Danyal, Holding a Sprig of Flowers Canvas Cloth Print, c.1580–90","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis early Mughal portrait is believed to depict Prince Danyal, the youngest and reputedly most beloved son of Emperor Akbar. Created during the flourishing years of Akbar’s imperial atelier, the print exemplifies the emergence of portraiture as one of the defining achievements of Mughal art. Unlike earlier Indian print traditions that emphasized idealized figures, Mughal artists pursued individual likeness, psychological presence, and careful observation, producing some of the most sophisticated portraits of the early modern world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe young prince is portrayed with the attributes of both a nobleman and a courtly intellectual. He delicately holds a white flower, a reference to his poetic epithet, \"Nosegay of Fortune's Spring,\" while prayer beads rest in his other hand. An archer’s thumb ring, together with a sword, knife, and dagger suspended from his sash, signals his princely status and military responsibilities within the empire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePainted when Danyal was likely still in his mid-teens, the portrait offers a rare glimpse into the formative years of a prince whose life would ultimately be cut short. The work reflects the refinement of Akbar’s court, where Persian artistic traditions merged with Indian aesthetics to create a new imperial visual language distinguished by naturalism, elegance, and remarkable technical precision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Brahm","offers":[{"title":"12 x 20 inches","offer_id":45244460072983,"sku":null,"price":68.75,"currency_code":"USD","in_stock":true},{"title":"18 x 30 inches","offer_id":45244460105751,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true},{"title":"24 x 40 inches","offer_id":45244460138519,"sku":null,"price":193.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_9.svg?v=1781628618"},{"product_id":"portrait-of-raja-jagat-singh-of-nurpur-canvas-cloth-print-c-1619","title":"Portrait of Raja Jagat Singh of Nurpur Canvas Cloth Print, c.1619","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis distinguished Mughal portrait depicts Raja Jagat Singh of Nurpur, a prince from the western Himalayan foothills who was raised at the imperial court of Emperor Jahangir and Empress Nur Jahan. Created around 1619, the print likely commemorates his elevation to princely rank, a significant honor for a ruler from the hill states, few of whom held positions within the Mughal court.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAttributed to the celebrated court painter Bichitr, the work exemplifies the refinement of Mughal portraiture during Jahangir's reign. Jagat Singh is presented with the dignity and composure reserved for imperial nobles, reflecting both his status and his close relationship with the emperor and empress. The portrait stands as a rare record of the political and cultural connections between the Mughal Empire and the Himalayan kingdoms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Brahm","offers":[{"title":"12 x 16 inches","offer_id":45244463022103,"sku":null,"price":72.0,"currency_code":"USD","in_stock":true},{"title":"18 x 24 inches","offer_id":45244463054871,"sku":null,"price":162.0,"currency_code":"USD","in_stock":true},{"title":"24 x 32 inches","offer_id":45244463087639,"sku":null,"price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_12.svg?v=1781628971"},{"product_id":"hunting-with-falcons-in-a-landscape-canvas-cloth-print-c-1558-60","title":"Hunting with Falcons in a Landscape Canvas Cloth Print, c.1558–60","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis lively hunting scene depicts a Mughal falconry expedition, one of the most prestigious pursuits of the imperial court. Horsemen move through an open landscape as trained falcons pursue their prey, capturing the excitement and discipline associated with aristocratic hunting traditions. The young figure at the lower left may represent Emperor Akbar in his youth, reflecting his well-documented passion for hunting from an early age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAttributed to Abd al-Samad, one of the Persian masters who helped establish the Mughal imperial atelier, the print belongs to the formative period of Mughal art when Persian artistic traditions merged with Indian subjects and landscapes. The work was later mounted into a Mughal album alongside pages of Chaghatai Turkish calligraphy, preserving both the visual culture and literary heritage of the early Mughal world.\u003c\/span\u003e\u003c\/p\u003e","brand":"Brahm","offers":[{"title":"24 × 18 inches","offer_id":45240939708439,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true},{"title":"40 × 30 inches","offer_id":45240939741207,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true},{"title":"48 × 36 inches","offer_id":45240939773975,"sku":null,"price":337.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_15.svg?v=1781629263"},{"product_id":"posthumous-portrait-of-emperor-muhammad-shah-holding-a-falcon-canvas-cloth-print-1764","title":"Posthumous Portrait of Emperor Muhammad Shah Holding a Falcon Canvas Cloth Print, c. 1764","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis striking posthumous portrait depicts the Mughal emperor Muhammad Shah, known by the epithet \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRangila\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e or \"the Colorful,\" who ruled from 1719 to 1748. Created in 1764, the print reflects the enduring admiration for the emperor's refined court culture, patronage of the arts, and distinctive personal style long after his death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRendered against a dramatic black background, Muhammad Shah appears dressed in vibrant green court attire and adorned with pearls and jewels, accompanied by a richly decorated hunting falcon. The work is attributed to Muhammad Rizavi Hindi, whose elegant use of color, line, and realism exemplifies the sophistication of late Mughal print . Originally assembled within an album alongside Persian calligraphy, the portrait reflects the continued fusion of print, poetry, and courtly culture that characterized the Mughal artistic tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Brahm","offers":[{"title":"24 × 16 inches","offer_id":45240940920855,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true},{"title":"36 × 24 inches","offer_id":45240940953623,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true},{"title":"48 × 32 inches","offer_id":45240940986391,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_19.svg?v=1781629500"},{"product_id":"hulagu-khan-giving-a-feast-and-dispensing-favor-upon-the-amirs-and-princes-canvas-cloth-print-c-1596-1600","title":"Hulagu Khan Giving a Feast and Dispensing Favor upon the Amirs and Princes Canvas Cloth Print, c.1596–1600","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis grand Mughal court print depicts Hulagu Khan, grandson of Genghis Khan and founder of the Ilkhanid dynasty in Iran, presiding over a ceremonial feast attended by princes, nobles, and military commanders. The work was created for an illustrated \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eChingiz-nama\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e commissioned during the reign of Emperor Akbar, who proudly traced his ancestry to the Mongol rulers through his maternal lineage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eProduced by artists Lal, Dharam Das, and Padarath, the print exemplifies the collaborative nature of the Mughal imperial atelier. Richly detailed carpets, canopies, and courtly figures evoke the splendor of Mongol rulership while reflecting the refined artistic language developed under Akbar's patronage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Brahm","offers":[{"title":"12 × 18 inches","offer_id":45240935874583,"sku":null,"price":81.0,"currency_code":"USD","in_stock":true},{"title":"20 × 30 inches","offer_id":45240935907351,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true},{"title":"24 × 36 inches","offer_id":45240935940119,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0704\/7711\/9511\/files\/Print_23.svg?v=1781629673"},{"product_id":"humayun-defeating-the-afghans-before-reconquering-india-canvas-cloth-print-c-1590","title":"Humayun Defeating the Afghans Before Reconquering India Canvas Cloth Print, c.1590","description":"\u003ch5\u003e\u003cspan\u003eProvenance\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis dramatic battle scene comes from the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAkbarnama\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (Book of Akbar), the official chronicle commissioned to celebrate the history of the Mughal dynasty. 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Though the sitter remains unidentified, the print reflects the growing importance of realistic portraiture at the Mughal court, where likenesses were commissioned to record honors, promotions, and gifts bestowed by the emperor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe courtier is shown holding a richly colored scarf, likely a ceremonial gift received from Akbar, while the weapons at his waist signify his role within the military-administrative structure of the empire. 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